| Name:
| Elenye Ghenatos-German
| | Skills:
| Accompanist, Administrator, Player, Soloist, Teacher
| | Phone:
| (978) 273-6065
| | Address:
| 2322 Cleveland St., Eugene 97405, United States
| | Links:
|
E-mail | |
| | M.M. piano performance, New England Conservatory of Music, Boston, Massachusetts, USA B.M. piano performance, University of Oregon School of Music, Eugene, Oregon, USA Elenye has studied piano with Wha Kyung Byun and Dean Kramer, chamber music with Leonard Shure, and accompanying in french vocal repertoire with Margo Garrett. She has performed in masterclasses for Vladimir Krainev, Robert Weirich, Lazar Berman, David Golub, Leonard Shure, and Menahem Pressler.
She has been an administrative/artistic director and was on the piano faculty for two community music and arts schools with enrollments of over 200 students for ten years. She has been on the piano faculty at several schools and a staff accompanist at Whittier College and New England Conservatory. She was a guest panel speaker for the 1999 Oregon Music Teacher's Association State Convention. Recently, she was a faculty member at the Cushing Academy teaching piano, coaching chamber music and accompanying for theatre musical productions.
Ms. German has had private piano studios for over 20 years in Lexington and Townsend, Massachusetts. She has five children. Students may opt to perform in the Oregon Music Teacher's Association events and programs. She has also been a member of the New England Piano Teacher's Association (NEPTA) and the Music Teachers Association of California (MTAC). She enjoys introducing students to a variety of styles, which can include musicals, sacred, or pop.
Testimonial: 'Not only was she a gifted and knowledgeable teacher - she also instilled in him a love for the music - guiding and allowing him to choose pieces that interested him as well as challenged him. As a result, he never needed to be told to practice - in fact he spent as much time as possible at the piano developing a love for both classical and jazz repertoire. Under Elenye's tutelage, he was a finalist in the Boston Symphony Orchestra Concerto Competition giving him the opportunity to play on the Symphony Hall stage, and he had many opportunities as an accompanist and collaborative pianist for his high school choirs and soloists earning him his high school's Chopin Award. ... Her guidance helped him prepare for college auditions as a piano performance major and he was offered the highest merit scholarships available from three different institutions.' - Janet L, parent
|
| Name:
| Areti Giovanou
| | Skills:
| Accompanist, Soloist, Teacher
| | Address:
| NY, United States
| | Links:
|
E-mail | |
| | Pianist Areti Giovanou, a native of Athens, Greece, began her studies with Athina Kapodistria at Athens Conservatory (Odeion Athinon). She graduated with excellence, both in Piano Performance and in Theory from Athens Conservatory in 2001. In 2004, she received her Master of Music degree from Mannes College of Music and was the recipient of a scholarship from the Hellenic Republic State's Scholarship Foundation. In 2006, she received her Professional Studies Diploma from Mannes College of Music, where she studied under scholarship with Pavlina Dokovska. Keenly interested in collaborative piano, she has worked with pianists Cristina Stanescu, Brian Zeger, Diane Richardson, Glenn Morton and singers Richard Cross, Beth Roberts,Mira Zakai and Antonia Lavanne. In 2006, she and the New York Mannes Quartet performed in the Nafplion, Corfu and Chalandri Summer Festivals in Greece. Ms Giovanou has appeared in New York venues such as the Goethe Institut, the Ukrainian and Bulgarian Consulates, the Church of the Holy Trinity, and City Hall of New York, and has also participated in Mannes' "The Birth of Romanticism", "The Flowering of Romanticism", and "The Late Romantics" Festivals. Her performances have taken her throughout the United States, Italy, France, and Greece. In the summer of 2007 was a fund raising concert at the Presidential Palace of Cyprus with the Archdiocesan Metropolitan Youth Choir of New York. In March 2008 she performed with the same choir at the White House, celebrating the Greek Independence day. From September 2007, Ms. Giovanou continues her studies towards a Masters in Collaborative Piano on scholarship with Dr. Cristina Stanescu at Mannes College of Music.
|
| Name:
| Gila Goldstein
| | Skills:
| Accompanist, Soloist
| | Phone:
| +1 (212) 595-5987
| | Address:
| New York City 10025, United States
| | Links:
|
Website E-mail | |
| | Pianist GILA GOLDSTEIN who is known as a versatile musician has captivated audiences around the world with her unique artistry and soulful interpretations. Her playing has often been described as profound, electrifying and sensual. Gila has performed as a Solo artist and collaborative pianist throughout the United States, Canada, Mexico, Europe and Israel. Among her most notable engagements were performances at Merkin Concert Hall and Steinway Hall in New York City, the Purcell Room at the South Bank Center in London, Konzerthaus in Berlin, Kennedy Center in Washington DC, Old First Church in San Francisco, College of Notre Dame in Baltimore, University of Michigan in Ann Arbor, University of Evansville in Indiana, Gardner Museum in Boston, Dame Myra Hess concert, the Ravinia Rising Stars Series and Symphony Hall in Chicago, Great Performances series in St. Louis, Musée de Louvre in Paris, Pallacio de Bellas Artes in Mexico City, Roy Thomson Hall in Toronto, Henry Crown Hall in Jerusalem and the Tel Aviv Museum. A Board member of the American Liszt Society (ALS) and the Founder-President of its NY/NJ Chapter since 1992, Gila is a frequent guest performer at the ALS annual festivals and at the Great Romantics International Festival in Hamilton, Ontario (Canada). A champion of the music of Israel's leading composer Paul Ben-Haim (1897-1984) in the past decade as a performer and recording artist, Gila has recorded two volumes of his entire piano works and three chamber works on the Centaur label: Piano Works of Paul Ben-Haim, (released in June 2001) and Paul Ben-Haim, Volume 2: Piano and Chamber Works (released in November 2005). Among the rave reviews the recordings have received worldwide, the American Record Guide wrote: Goldstein is a charismatic performer who plays with great flair, delicate nuances, fluid tempi and brilliance . PIANIST magazine in London wrote: “Goldstein proved two things: that Ben-Haim’ s neglect was thoroughly undeserved and that she has a technique as fierce and fiery as the color of her hair”. These recordings mark a significant addition to the few commercial releases of Israeli classical music, in particular piano music, and therefore meaningful for the understanding of this genre and for increasing its international recognition. They are also an important addition to 20th century’s recordings of piano and chamber music in general. Gila Goldstein holds a Master of Music from the Manhattan School of Music where she studied with Mrs. Nina Svetlanova and a Bachelor of Music from the Tel-Aviv University's Academy of Music, where her teacher was Prof. Victor Derevianko. For more information and upcoming performances please visit her web site: www.gilagoldstein.com
|
| Name:
| Fernando Gonzalez
| | Skills:
| Accompanist, Composer, Soloist, Teacher, guitarist concert
| | Address:
| Belgium
| | Links:
|
Website E-mail | |
| | www.fernandogonzalezguitar.com Music Studies: Studied music with his father, mother and grandmother, who were professional musicians. Academic institutions: - Facultad de Musicologìa de la Universidad de Chile (1971-1973) - Faculté de Musicologie de l'Université Libre de Bruxelles (1976-1978) - Conservatoire Royal de Bruxelles (1975-1976) - Koninklijk Muziekconservatorium van Antwerpen (1979-1983) Masters: Arturo Gonzalez, Alirio Díaz, Nicolas Alfonso, Leo Brouwer, Victor Van Puyenbroeck
Awards: Premier prix de guitare Conservatoire Royal de Bruxelles (1976) Premier prix de musique de chambre Conservatoire d'Anvers (1982) Diplôme supérieur de guitare Conservatoire d'Anvers (1983) Lauréat du concours international "Printemps de la Guitare", Belgium (1984) ___________________________________________________________________________ Teaching: Professor of Guitar, Conservatoire d'Anvers (1985-1992) Professor of Guitar, Académie de Waterloo, Bruxelles (1974-1976)
Symphony and Chamber Orchestras, Soloist: Flanders Philharmonic Orchestra, Orchestra of the BRT, Flanders Opera Orchestra, I Fiaminghi, Flanders Radio Television Symphonic Orchestra, Bratislava Orchestra, State Philharmonic Orchestra of Slovakia, Paganini Quarttet with Henry Raudales (first violon) , Gagginni Kwartet with Jenny Spanhoge (first violin), Orquesta Sinfonica de San Felipe (Venezuela), Orquesta Sinfonica de Margarita (Venezuela). Duos: Henry Raudales (violin), Jan Van Mol (harpsichord and organ), Rodrigue Milosi (violin), Barbara Bassez (piano), Rigo Messens (cello), Yves Storms (guitar), Gineke de Praetere (clarinet) Robby Hellyn (doubble bass) Kaori Fujji (clarinet), Zulema Hechavarría (flute); Quartets: Victor Van Puyenbroeck, Roland Broux and Yves Storms; Undici Archi Chamber Orchestra. Tours France, Germany, Italy, Chilli, Peru, Venezuela, Belgium, Portugal, Sweden, Holland, Spain, Slovakia, Luxembourg.
Discography: - Fernando Gonzalez plays Arthur Bosmans, (for guitar) (1979) Koninklijkmuziek Konservatorium Antwerp - Per Hellberg, Fernando Gonzalez, (Folk music duo) (1976) IRISON - Concierto de Aranjuez, ( with Flanders Philharmonic Orchestra) MUSIC SOURCE (1990) - Fernando Gonzalez plays Agustin Barrios, (for guitar) (1995) lux corda - Christmas, (Guitar accompanied by Jan Van Mol, organ, Christel de Mulder, soprano and choir) (1997) - Fernando Gonzalez plays J.S. Bach, Sonata BWV 1005 & partitas BWV 1004, BWV 1006 (Solo) (2000)
|
| Name:
| Jonathan Gooing
| | Skills:
| Accompanist, Ensemble (Piano & organ)
| | Phone:
| +44 (0)1724 855736
| | Address:
| Scunthorpe, North Lincolnshire, United Kingdom
| | Links:
|
E-mail | |
| | Since graduating from Sheffield University in 1996, Jonathan has worked extensively as a concert accompanist and chamber musician. He has performed throughout the United Kingdom with a variety of leading instrumentalists and singers. Jonathan also has an interest in period performance, and has participated in concerts and recordings of chamber music with fortepiano. He is also an experienced choral accompanist, both on the piano and organ.
In 1999 Jonathan won the ISM/Yamaha 'Birmingham Accompanist of the Year' competition.
|
| Name:
| Ulagh Goosen
| | Skills:
| Accompanist, Arranger, Composer, Player, Singer, Soloist, Teacher (Classical, jazz and contemporary genres)
| | Phone:
| +27 83 6274686
| | Address:
| 10 Troupant Street, Stellenbosch, South Africa
| | Links:
|
E-mail | |
| | I am a qualified music teacher (piano, voice, and subject music) and hold a Masters degree in Musicology from the University of Port Elizabeth in South Africa. I also hold a Performers Licentiate (Piano) from the Trinity College of London (LTCL).
I have 4 years' music teaching experience and have acted as vocalist, pianist, accompanist, arranger, composer and musical director since 2000. I am currently a jazz performer and musical director full time, and act as arranger and performer for various productions, ranging from Big Band and musicals, to theatre and ensembles.
I have performed in various stage productions, including "Chicago" and "Sweet Charity", have written and directed musicals, played in the Standard Bank National Youth Big Band, and performed with the East Cape Philharmonic Orchestra.
Over the last year, I have performed full-time (as pianist and vocalist) in the UAE (both in Abu Dhabi and Dubai) and Cape Town.
|
| Name:
| Anthony Guppy
| | Skills:
| Accompanist, Composer, Player, Soloist, Teacher
| | Links:
|
Website | |
| | From Trinidad & Tobago the heart, soul and birth place of the steel pan (steeldrum),comes a musician with his own distinctive unique style.
Listen as Anthony "Tony" Guppy unconsciously blends the many rhythmns of the Caribbean with the influences of global music into his playing and compositions.
Fusions of world music and Caribbean rhythmns heighten by the heartfelt emotions and techniques of Guppy's playing.
Check out tonyguppy.com for more information
|
| Name:
| Caroline Haffner
| | Skills:
| Soloist, Accompanist, Player, Teacher, Writer, Broadcaster and masterclass organizer
| | Phone:
| + 41 (0)78 918 71 58
| | Fax:
| + 33 (0)1 48 74 31 63
| | Address:
| 67 rue de Provence, Paris 75009, France
| | Links:
|
Website E-mail | |
| | Caroline Haffner is acclaimed by connoisseurs, critics and fellow musicians for the brilliant virtuosité, profound musicianship and dramatic intensity of her playing. She has been encouraged throughout her career by personalities such as Placido Domingo, Maxim Vengerov and Mstislav Rostropovitch, who has spoken of the imagination, colour and poetry in her performance.
The style of playing - eminently romantic and dramatic - which characterizes Caroline Haffner allows her to be mentioned alongside the legendary pianists with whom she has studied. As a child prodigy she took lessons with Alfred Cortot and was deeply influenced by the limpidité, fluidity and spontaneous expression of his style. Later she studied with Samson Francois, Pierre Sancan, and with David Oistrakh's accompanist, the Russian teacher Lev Oborine in Moscow.
Caroline Haffner is much in demand as a chamber orchestra musician, and spends a large part of her time collaborating with artists of international renown such as Maxim Vengerov, Teresa Stich-Randall, Bruno Pasquier and Alain Marion. Her recording of Mendelssohn's sonatas and variations acclaimed in reviews by 'Fanfare' and 'Intune' among many others. She has been invited as Maître de Chant by the Opéra of Paris, the Metropolitan Opera in New York and the St. Gallen and Monte-Carlo Operas. She has also been the accompanist at a number of opera recitals.
In 2006 Caroline Haffner focussed on recitals of Mozart's music and presentation of his music in her festival activities and working and performing with cellists and violinists in masterclasses and performances. Celebrations of Mozart continue into 2007 with performances planned for Istanbul, London, La Baule and Gstaad and further recitals of Chopin's Ballades and Nocturnes.
|
| Name:
| William Dawson Halsey
| | Skills:
| Accompanist, Arranger, Choir, Composer, Conductor
| | Phone:
| +1 (212) 568-0848
| | Address:
| 255 Cabrini Blvd #3D, New York, NY 10040, United States
| | Links:
|
E-mail | |
| | William Halsey is a composer, organist and pianist active in the New York City area. He has written and/or arranged many chorus pieces and songs, including "Oz Yoshir Moshe" a choral setting of the Song of Miriam, and "La Tumba de Julio Jaramillo" six arrangements of songs sung by the Ecuadorean master. He runs an opera workshop that performed in bicentennial celebrations for Meyerbeer, Halevy and Donizetti. He has been the music director at St John Cantius RC Church and the director of the Spanish choir at Our Lady of Perpetual Help in Brooklyn.
|
| Name:
| Emad Hamdy
| | Skills:
| Accompanist, Arranger, Player, Soloist, Teacher
| | Phone:
| 0105067674
| | Address:
| Cairo, Egypt
| | Links:
|
Website E-mail | |
| | Emad Hamdy Anyone who is at all interested in classical guitar can hardly avoid this name. Hamdy has enjoyed an outstanding reputation internationally as a classical guitarist, and the music press has included him in the Pantheon of the world's best guitarists. Anyone who has attended to just one of his countless concerts will gladly agree with this assessment. Hamdy has accomplished something that few people achieve in our day. The perfect harmony of virtuosity, musicality and interpretation. This prominent guitarist is often heard performing Recitals, Chamber works and Orchestral works and was the first guitarist in Egypt to play guitar concerto with the Cairo Symphony Orchestra in 1988. Main professor of the guitar at Cairo Opera House and the American University in Cairo. Hamdy Formed many unique classical chamber ensembles for the first time in Egypt, including guitar duos with Violin, Flute, Cello, Soprano and Piano. He offers an exciting and fresh repertoire of original Arrangements of many classical works, as well as Argentine Tangos, Spanish Dances and Latin American Folk Songs. In January 2007 in the Main Hall at Cairo Opera House, Hamdy performed with the Cairo Opera Orchestra for the first time in Egypt Rodrigo's masterpiece "Concierto de Aranjuez" for guitar and orchestra, the most famous and most acclaimed guitar concierto ever written, Composed by the well-known Spanish composer "Joaquin Rodrigo" and conducted by the Swiss conductor, Maestro "Thomas Herzog".
|
| Name:
| Jeffrey Richard Hampton
| | Skills:
| Accompanist, Arranger, Composer, Soloist, Teacher, Writer (Drums/Guitar/Electronics)
| | Phone:
| 089271 4575
| | Fax:
| 0892714575
| | Address:
| 1085 Beaufort St, Bedford 6052, Australia
| | Links:
|
E-mail | |
| | Pianist/Composer/Entertainer - working at present in Australia. From UK - wishes to work in Asia on route back to UK. Many appearances worldwide on television/live shows.
Looking to work as either performer or accompanist. Sight reader.
|
| Name:
| Richard Hare
| | Skills:
| Accompanist,Conductor,Player (Pianist/Organist)
| | Phone:
| +44 (0)20 8835 2224
| | Address:
| 45a Ross Road Wallington, Surrey SM6 8QP, United Kingdom
| | Links:
|
E-mail | |
| | A dynamic young choral conductor and accompanist working in London and the south east of england (mainly Surrey and Kent). Trained at the Royal Academy of music as an organ scholar. Drawing on a vast knowledge of most choral styles, any type of choral conducting considered.
Also available for solo organ, piano and harpsichord recitals.Specialist fields including early english and twentieth century french organ music.
An excellent talent for improvisation/harmonisation
|
| Name:
| Waka Hasegawa
| | Skills:
| Accompanist, Soloist (piano, piano duo & duet)
| | Phone:
| +44 20 8683 0208
| | Address:
| Croydon CR0 2RP, United Kingdom
| | Links:
|
Website E-mail | |
| | The Young Japanese Pianist Waka Hasegawa is embarking on a busy solo career and her performances have already attracted interest for their beauty of tone, imagination and her evident powers of communication. She has won praise for the individuality and passionate intensity in her playing, which have made her concerts unforgettable experiences. Waka has a continuous desire to expand her repertoire, which encompasses many of the best-loved classical masterpieces as well as works by lesser-known 20th century composers such as Granados, Kabalevsky, Szymanowski and John Ireland.
Waka made her London debut in the Park Lane Group Concerts in 2000, to critical acclaim in the national press. Part of her recital was broadcast later on BBC Radio 3. She has performed regularly in UK including recitals at the Windsor Festival, the Newark Festival, the Pump Room in Bath, St. James's Piccadilly and at various music societies and private functions. Since her debut recital in Tokyo in 1996, Waka has twice returned to Japan for successful concert tours. With her English husband and piano duo partner Joseph Tong, she has travelled the world giving recitals on luxury cruise liners to destinations such as the Caribbean, Egypt, Scandinavia and Russia.
Waka trained at the Royal Academy of Music with Piers Lane and then the Guildhall School of Music & Drama with Joan Havill. During this time she was awarded major prizes and scholarships including a Sidney Perry Foundation Award from the KPMG/Martin Musical Scholarship Fund, generous assistance from the Craxton Memorial Trust and second prize in the Brant Piano Competition in 1996. A KPMG/Martin Musical Scholarship also enabled her to attend the International Musicians Seminar at Prussia Cove where she studied with the renowned Hungarian pianist Ferenc Rados. More recently Waka won 3rd prize in the 2000 British Contemporary Piano Competition in London as well as having performances broadcast on BBC Radio 3 and BBC World Service.
|
| Name:
| Doug Haywood
| | Skills:
| Accompanist, Arranger, Player, Singer, Teacher, Producer, Recording engineer (Sings, Plays Bass and Guitar exeptionaly, Teaches Voice and Works as a Producer for mainly singer songwriters.)
| | Phone:
| +1 (303) 926 9870
| | Address:
| po box 661, lafayette CO 80026, United States
| | Links:
|
Website E-mail | |
| | Exeptionaly skilled producer/arranger.
Over 30 years experience.
Worked with Jackson Browne, Willie Nelson, Mason Williams, Warren Zevon, The Dillards, Linda Rondsadt, and George Harrison to name a few.
|
| Name:
| Frank Augustus Hood
| | Skills:
| Accompanist, Player, Soloist, Teacher (Piano)
| | Phone:
| +1 (619) 295 6296
| | Address:
| 1910 Robinson Avenue, #11, San Diego, CA 92104, United States
| | Links:
|
Website E-mail | |
| | Frank is currently a music major at San Diego State University finishing a Bachelor of Music degree in piano. He is affiliated with the San Diego State University Adams' Project which is a professional performance venue showcasing the university's talented music students and faculty. Recent engagements with the Adam's Project have included performing for the San Diego State University President, Dr. Stephen Weber, as well as the San Diego State University Alumni Association. This consummate performer is also the current pianist for Second Church of Christ, Scientist in San Diego, CA. Frank also performs regularly at area retirement communities with San Diego vocalist Linda McCue, offering a pleasant blend of light classical music and show tunes. His unique and entertaining musical blend of classical and pop is sought after as music for area weddings, private parties, and other special engagements. During the summer of 2002, Frank was Director of Music and Staff Pianist at Camp Wah-Nee in Torrington, CT. Before transferring to San Diego State Univesity to finish his Bachelor of Music degree, San Diego Mesa College awarded Frank the EFK Music Award for dedication to music and outstanding academic achievement.
Many San Diegans are enjoying piano lessons with pianist Frank Hood! Lessons are custom-tailored to suit each student's desires and tastes in music. Twice a year, a small informal piano recital is given where students have the option to participate and perform their latest masterpieces in a friendly, relaxed atmosphere in Frank's home.
|
| Name:
| Alice Louise Jamison
| | Skills:
| Accompanist, Repetiteur
| | Address:
| flat 2/79 gilbey rd, boradway, tooting, london sw17 OQH, United Kingdom
| | Links:
|
E-mail | |
| | Having arrived freshly from Australia I am looking for any work within the music industry. I am primairly looking for repetiteur work yet I am happy to work as an accompanist or rehearsal pianist. I have one year to finish B.Arts/B.Mus at Melbourne Univeristy.
I am eager to do anything .....and would greatly appreciate it if someone could tell me the places one should search for music jobs in London and the surrounding areas.
I have worked with major operas and festivals within Australia....won piano competitions......all the right credentials....would appreciate it if I could use them!
|
| Name:
| Antony Jones
| | Skills:
| Accompanist, Composer, Player
| | Address:
| Russia
| | Links:
|
Website E-mail |
| Name:
| Saida Kafarova Ganjetsian
| | Skills:
| Accompanist, Composer, Soloist, Teacher
| | Address:
| Canada
| | Links:
|
Website E-mail | |
| | As a winner of the Artists International Special Presentation Recital Award, Saida Ganjetsian Kafarova performed her Carnegie Hall debut recital in June 2000. Dr. Jerome Starr commented, "In my time I have heard all the great - Paderewski, Hofmann, Rachmaninov. You are top rank. Artistry, poetry, soul of the highest order."
Ms. Kafarova was born in Azerbaijan to a musical family of Armenian descent. Her mother was a noted cellist and her aunt a well-regarded composer and pianist. In 1983 Ms. Kafarova won the top prize at the prestigious First Chamber Music Festival in Baku, and in l985 she was awarded a special prize at the Caucasus Piano Competition. A frequent performer with the Azerbaijan Philharmonic and the European Union Chamber Orchestra, she has toured many parts of the former Soviet Union and has performed in Canada, Germany, Turkey, Latvia, Lithuania and Norway. She was invited to perform for his Honor the German Ambassador and for his Honor the British Ambassador in Istanbul. In March 2001 she was chosen as a finalist to perform at the Concert Artists Guild Competition in New York. Ms. Kafarova has premiered several works by contemporary composers for solo piano and for piano and orchestra. On this continent, she has been named Music Ambassador of Nova Scotia, Canada, and has performed frequently with the New Brunswick Symphony. On numerous occasions, she has been featured live on Canadian Broadcasting Corporation radio and television.
The upcoming performances include appearances with the Temple Symphony and Austin Civic Orchestra under the baton of Maestro Peter Bay. As a pedagogical grandchild of the Russian composer and pianist Nikolai Medtner, Dr. Kafarova continues her research on the composer’s pedagogy. Her unique dissertation’s topic was on the composer’s Works for Two Pianos, op.58
|
| Name:
| Shigeru Kan-no
| | Skills:
| Accompanist, Arranger, Composer, Conductor, Teacher, Writer, Dramaturgy
| | Phone:
| +49-2682-670-188
| | Fax:
| +49-2682-670-188
| | Address:
| Heuptstr.17, Hilgenroth 57612, Germany
| | Links:
|
Website E-mail | |
| | Short-CURRICULUM VITAE by Shigeru Kan-no A Japanese Composer-Conductor. In Aoki/ Iino/ Fukushima/ Japan. Studies in Fukushima, Tokyo, Wien, Stuttgart, Ludwigsburg and Frankfurt with Shimazu, Nishimura, Österreicher, Bernstein, Lachenmann, Rilling and Zender: theory, piano, composition, conducting and musicology. Get 28 times Competiton and Conducting Prizes. Get 15 times Fellowship and Bursarry. 12 times Particicipating with Great Composers Seminar and/or private Lesson. 12 times Invitation at the Festivales for New Music. 12 times Tournee-Ptoject. 7 Seminares for Composers *over 100 Opera-repertoires, 500 Concert-repertoires. WVE-Number:The total number of own works in Europe only is 217 plus 10 electric music and cinema music; 18 Arranges; ca.100 Arranges of Originals Agent/Konzertvermittlung 1. „Agent Double“, Jocelyne Viviane Julie, 57 rue Gloriette, F-71100 Chalon sur Salone, France; Tel/Fax:03-85-93-58-20, E-mail: agent.double@infonie.fr 2. „Studio für Bewegungs Chiffren“, Diana-Maria Sagvoskina, Schwarenbergerstr.71, D-70188 Stuttgart/Germany; Tel./Fax:0711-282338; E-mail: bewegungschiffren@gmx.net Home Page: www.bewegungschiffren.de Home Page: http://www.musikerportrait.com/Kan-no http://www.classicol.com/Composer/ShigeruKan-no.cfm Adress: 1.Hauptstr.17, 57612 Hilgenroth, Germany; Tel./Fax:02682-670-188 e-mail: shigaeru@aol.com (If absent) 2. Azasainouchi 86, Aoki, Iinomachi, Dategun, Fukushimaken, Japan 960-1303;Tel/Fax:0081 24 562 3311
Work List by Shigeru Kan-no: WVE-Version www.musikerportrait.com/Kan-no WVE-Work List only as Music Score for Acoustic Instruments (Vorläufiges Werk-Verzeichnis nur nach Europäschen Zeit; after 1st. Sep. 1986) 1. Blechbläserquintett I „Noiram“ for 2 Trumpets and 3 Trombones (8.12.1986/A-1090 Wien, 9. Bezirk, Lustkandlgasse 51/32) ca.14 min. World Premire (8.11.87/in Nagoya) Veranstalter: Nagoya-Kultur-Förderung-Stiftung, Nagoya Kultur Preis/ Klassik-Walmsburg-Edition 2. S-Etude für Posaune und Klavier (30.12.1986/A-1090 Wien, 9. Bezirk, Lustkandlgasse 51/32) ca.2 min. 3. Mythos VII für Klavier solo (17.4.1987/ in Buda-Penta Hotel bei Budapest) ca. 6 min. First recording (privat)(3.7.97/Stuttgart) ca. 6 min. %3-a Mosaik für Altsaxophon in Es und Klavier (30.6.87/Wien;New Edition 20.3.1988/Wien) ca.8 min. 3-b. Mosaik für Klarinette in B und Klavier (6.4.2001/Hilgenroth) ca.8 min. 4. Steichduo I für Geige und Cello “Freiburgisches Thema“ (6.7.1987/Freiburg) ca.5 min.World Premire 7.11.95/Stuttgart/Andreas Kaefer und Stefan Gräsle in Landesgirokasse, Veranstalter Künststiftung Baden-Württemberg; 2nd Performance (1.Déc.2000/Grenoble/Eybens) L´Idysée à 20h30/ Ensemble Aleph: Christoph Roy et Noëmi Schindler 5. Mythos VIII für Klavier solo (22.7.1987/Hilgenroth;New Edition mit kleinem Klavierstück an 8.8.1988 in Darmstadt) First recording (privat) (3.7.97/Stuttgart) 6. String Quartet I „Wien“ (30.8.87/Wien; New Edition17.3.88/Wien) ca. 15 min. 7. Menagerie III für Blä - 1 -11ßer und Schlagzeug (30.9.1987/Wien; New Edition 26.6.96/Stuttgart) 222-4230-Pk+Banda+Piano+Chor ca.17 min. 8. Stück für Flöte und Holzschlagzeuger (21.10.1987/Stuttgart) ca.3 min. 9. Stück für Posaune und Metalschlagzeug (22.10.1987/Stuttgart) ca.4 min. 10. Mythos IX für Klavier solo (27.10.87/Stuttgart) ca.5 min. Klassik-Walmsburg-Edition World Premire (5.11.95 Stuttgart um 20:00 Uhr) in Landesgirokasse, Veranstalter Künststiftung Baden-Württemberg 11. Kleines Stück für 2 Metalschlagzeuger und 4 Bratschen (2.11.87/Stuttgart;New Edition9.6.96/Stuttgart) ca.6 min. 12. 5 Lottospiele für Metalschlagzeuger und Klavier (4.11.87/Stuttgart-Zuffenhausen, Hördtstraße 44;New Edition 11.12.93) ca.8 min. 13. Stück für Altsaxophon Klavier und 2 Pauker (23.11.87/Wien;New Edition 5.7.92/Stuttgart) ca.8 min. 14. Flute Quartet I für 4 Flöten mit 4 Altflöten (20.1.1988/Stuttgart;New Edition 3.11.98/Stuttgart) ca.5 min. 15. Holzbläserquintett (16.2.1988/Stuttgart, Olgastraße 19) ca.10 min. 15-a. Sextett für Holbläßer und Metalschlagzeuger (19.11.98/Stuttgart) ca.10 min. 16. Blechbläßerquintett II für 2 Tp.Hr,Po,Tb (6.6.1988/Stuttgart) ca.10 min. 17. Paukenstück (18.8.1988/Stuttgart) ca.17 min. 18. Sonate für Sopran Blockflöte und Klavier (26.8.1988/Stuttgart) ca.7 min. 19. „Ruhige Intuition“ für Flöte, Geige und Cello (28.8.1988/Stuttgart) ca. 8 min. World Premire am 31.1.91/Stuttgart an der MHS 401 um 20:00 Uhr, Veranstalter Musikhochschule Stuttgart) Babara Rosnitschek, Andreas Kaefer, Konrad Gorka: Klassik-Walmsburg-Edition % 19-a. Ruhige Intuition“ für Flöte, Geige, Cello und Holzschlagzeug (15.8.98/Stuttgart) ca.8 min. 20. Eine Pflicht für Geige solo ca.20 min. (19.10.98/Stuttgart) World Premire um 20 Uhr, 7.11.95/Stuttgart/Andreas Kaefer in Landesgirokasse, Veranstalter: Künststiftung Baden-Württemberg; 21. Die Metal-Musik für 3 Metalschlagzeuger(1.9.1988/Stuttgart) ca.24 min. 22. „Situation on the Situation“ für Kammerorchester (30.10.88/Wien) ca.14 min. (1111-2100-0-66442) WP:12. Domingo April 92 in Murcia/Spain, Organisation: Universität Murcia mit Orchester Universität Münster unter Joahim Herder, Klassik Walms Edition; 2nd.Performance.in Cieza 13.April 92.; 3rd Performance.in Cartagena14.April 92.; 4th.Performance. in Torre Pacheco 15.April 92: Murcia Compositions Prize, 1st Priz ; Verlag Klassik-Walmsburg-Edition 23. Streichduo II für 2 Kontrabässe (20.11.88/Stuttgart;New Edition 5.7.92/18.12.93) ca.8 min. Nagoya Kultur Prize 24. Streichtrio I für Geige, Bratsche und Cello (22.11.88/Stuttgart) ca.30 min. World Premire um 20 Uhr 7.11.95/ Stuttgart/ in Landesgirokasse, Veranstalter Künststiftung Baden-Württemberg; Andreas Kaefer, Rollanda Cechanauskaiten Anna Skorupskam, Stefan Gräsle 24-a. Streichtrio-Zwilling für 2 Geigen und Bratsche (16.2.1989/Stuttgart) ca.25 min. World Premire um 20 Uhr, 7.11.95/ in Stuttgart Landesgirokasse; Andreas Kaefer, Rollanda Cechanauskaiten Anna Skorupskam, Stefan Gräsle 25. Untergrundbewegung für Trompete mit Flügelhorn, Euphonium mit Tuba und Klavier mit Celesta (30.11.88/Stuttgart) ca. 9 min. 26. Kammerkonzert I für 13 Spieler (27.5.1989/Stuttgart) für Isang Yun Komposition Seminar in Pforzheim am 5.Mai 1990, ca.15 min. 27. Ein großes Präludium „Zitat von Zitat für 3. Wiener Schule“ (22.9.1989/Stuttgart: 4444-8442-2Pk,4Sch-4Hf-Pf mit Cel-20,18,14,12,10) ca. 20 min. 28. Kammer-Spezial-Konzert für 3.Wiener Schule für 11 Spielers (2.10.1989/Stuttgart) (1111-0110,2Sch,Pf,10001) ca.6 min. 29. Späne for Piano solo (7.10.1989/Stuttgart) ca.8 min. First Recording 3.7.97 in Stgt bei Diana; WP. März Anfang 1991. by Composer in Shijuku/ Tokyo/ Japan; 2. Aufführung 4.4.98 in Horb by 20:00, Organisation: Städtischen Musikschule Horbin SMS Horb; 3.Aufführung 10.5.98 Stgt. Organisation Theater Tredichin 11 Uhr ; 4. Aufführung.17.5.98 Haus Morgenstern in Stgt um 16 Uhr Organisation Haus Morgenstern; 5. Aufführung 5.7.98 in Rudorf Steiner Haus um 11 Uhr; 6. Aufführung 15.9.98 in Bürgerhospital 18 Uhr Organisation: Bürger Hospital Stuttgart;7. Aufführung Am 7.11.98 in Göppingen um 20 Uhr:Michaelkirche=Veranstalter; 8. Aufführung am 8.11.98 in Welzheim um 17:00, Organisation Annete Penzkofer; 9. Aufführung am 15.11.98 in Rudorf Steiner Haus Stuttgart=Veranstalter, 16:30; 10. Aufführung am 22.11.98 in Sgt. Theater Tredichin=Veranstalter um 17 Uhr; 11. Aufführung am 11.3.2000 in Rudorf Steiner Haus Stuttgart, Veranstalter Marco Bindelli; 12. Aufführung am 11.3,2000 um 20 Uhr in Rudorf Steiner Haus, Veranstalter: Sozialwissenschaftliche Forschungsgesellschaft e.V; 13. Aufführung am 2.7.2000 in Rudorf Steiner Haus Stgt.=Veranstalter; 14. Aufführung am 30.7.2000 in Salem-Oberstenweiler bei Bodensee um 20 Uhr; 15. Aufführung am 30.9.2000 Spiegel Zelt bei Kulturmarkt Stuttgart in Schlossplatz um 19:30 Uhr, Veranstalter Kulturamt Stuttgart %29-a.Un Déchets für Marimbaphon (9.11.99/Stgt) ca.4 min. 29-b.Extrem for Orgel positiv (9.12.99/Stgt) ewig min. 29-c.Extrem for Snare Drum von aller Richtungen (9.12.99/Stgt) ca.7 min. 29-d.Extrem for Xylophon: 0 DB/0 Phon (9.12.99/Stgt) ca.7 min. 29-e.Extrem for 2 Flutes unendlich DB/unendlioch Phon ca.7 min. 29-f.Extrem for Bongos:e2=0 Hz %29-g.Extrem for Cembalo f1= endlos Hz. 29-h.Extrem for Nichts/Nothing (9.12.99/Stgt) ca.7 min. %29-j. Extrem for guitar solo (23.11.2000/Stgt) ca.5 min. 29-k.Abfälle by Rhythm only for Percussion Ensemble (18.2.2001/Hilgenroth) ca.5 min. 30. Kammer-Invention für 2 Schlagzeuger (9.10.1989/Stuttgart) ca. 5 min.WP:10.3.90, Heidenheim von Deutsche-Schlagzeug-Ensemble Leipzig, Veranstalter Heidenheimer Förderverein für Neue Musik, Spezial Mension, Klassik Walmsburg Edition 31. Octet I „Ein geheim-Ensemble“ (29.10.1989/Stuttgart:New Edition 2.4.93) ca.8 min. Veranstalter:Künststiftung Boswil, Klassik Walmsburg Edition, Open Recording 5.11.94 von Ensemble Recherche unter Roland Kluttig in Boswil/Schweiz Öffentlich mit Schweizer Radio Aufnahme beim Gottfried Berger Schöngrundstr.11, CH-6048 Horw/Schweiz (041)340-28-86, ( Fl, Cl, Sch, Pf, Vl, Vla, Vc, Cb.) 32. Play Station I for Orchestra (23.12.1989/Stuttgart) 3333-4444-4Sch-18,16,12,10,8: ca.11 min. 33. Kantate „Weisse Rose“ für Soli, Chor und Orchestra (31.3.1990/Wien) (3333-43331-4Sch-Klav.Hf-16,14,12,10,8)Textdichter:Chinesisches Volkslied, ca.10 min.Wp:5.6.1990 in Lieder Halle Stuttgart um 20: Uhr,Orchester Universität Tübingen unter Nicolaus Pasquet ca. 20 min. Auftragswerk und Veranstalter der Chinesischen Studenten und Wissenschaftler in BRD. In chinesischer Sprache 33-a.Ton-Dichtung „Weisse Rose“ for Orchestra (20.11.1990/Stuttgart) (3333-43331-4Sch-Klav.Hf-16,14,12,10,8) ca.20 min. 34. Invention für 5 Schlagzeuger (16.5.1990/Pforzheim:New Edition 6.7.97/Stuttgart) ca.10 min. 35. Simulation I for Orchestra “7 Lottos“(23.5.1990/Stuttgart:New Edition 31.7.99/Stuttgart) (2222-4230,3Sch-12,10,8,6,6) ca. 12 min. Special mention in Trento Composition Competition92 36. Mini-Bagatelle for 4 Trombones (3.6.1990/Stuttgart) ca.8 min. 37. Hornquartett I “Improvisatorische Mosaik“ (13.6.1990/Stuttgart) ca.9 min. 38. Kammerkonzert II “Unvertbares“ for 12 Players (18.9.1990/Stuttgart) ca.30 min. 39. Kammersinfonie I für 2 Gruppen-Orchester mit Sopran (27.9.1990/Stuttgart) (12.11.1990/Stuttgart) Instrumentation: w:2-2-2-2, b:2-2-0-0, timp + 2 perc, strings(10,8,6,6,4). Difficulty: moderate. Duration: 14:00 Movements: 1 39-a.Pauken Concerto Instrumentation: (12.11.1990/Stuttgart) w:2-2-2-2, b:2-2-0-0, timp + 2 perc, strings (10,8,6,6,4). Duration: 14:00 Movements: 1 39-b.Sub-Klavier Concerto Instrumentation: (12.11.1990/Stuttgart) w:2-2-2-2, b:2-2-0-0, timp + 2 perc, strings(10,8,6,6,4) Duration: 14:00 Movements: 1 40. Marimbastück (3.10.1990/Stuttgart) ca.5 min. 41. Octet II für Bläßer (4.12.1990/Stuttgart) (2Ob,2Kl,2Hr,2Fg) ca.4 min. 42. String Quartet II „Ouvertüre“ (26.12.1990/Stuttgart) ca.10 min. 43. Psalm-100 für gemischen Chor (7.1.1991/Stuttgart) ca.4 min. Vierdreiunddreißig München 44. Kammersimfonie II (4.3.1991/Stuttgart) Duration: 14:00 Movements: 3 Instrumentation: w:1-1-1-1, b:2-1-0-0, strings(66442). Difficulty: easy. We can combine the movements 45. Finternis, Licht, Liebe für Sopran und Streichquartett (19.3.1991/Stuttgart) Text:Rudorf Steiner ca.10 min. % 45-a. Sub-Streichquartett I. „Finternis, Licht, Liebe“ (6.1.1999/Stuttgart) ca..10 min. 46. Kammersimfonie III (12.5.1991/Stuttgart) Duration: 14:00 Movements: 1 Instrumentation: w:1-0-1-1, b:1-1-0-0, strings(66442). Difficulty: moderate. Very contemporary music 47. Einspruch für 3 Geiger (16.5.1991/Stuttgart) ca.7 min. 47-a. Einspruch „Probefonie“ für 2 Geigen und Bratsche (22.5.2002/Hilgenroth) ca. 10 min. 48. 2 Bagatellen mit Einspruch für 2 Geigen und Violoncello (20.5.1991/Stuttgart) ca.4 min. 49. Simulation II for orchestra (2.8.1991/Stuttgart) Duration: 12:00 Movements: 6 Instrumentation: w:3-2-2-2, b:Tenorhorn-adlib,4-2-3-1, 3 perc, hp, strings(12-10-8-6-6). Difficulty: moderate. We can play with Horn instead of Tenorhorn. 50. Sacred Musíque pour choeur à quatre viox de femmes (30.8.1991/Stuttgart)Text:Katholischer Liturgie ca.4 min. Neuchatel International Composition Ptiz 2nd Priz 50-a. Sacred Musíque pour quatre viox de femmes (26.2.98/Stuttgart) Text:Katholischer Liturgie ca.4 min. 51. Kammerkonzert III for 12 Players (20.9.1991/Stuttgart) ca. 10 min. 52. Hornstück für Horn solo (15.10.1991/Stuttgart) ca. 5 min. Musikverlag: Vierdreiunddreißig München 53. „Die Asche“ für 10 Posaunen (8.12.1991/Stuttgart) ca.7 min. 54. Millennium Soldier I „Fais de moi an instrument de Paix“ für Chor und Orchester (29.12.1991/Stuttgart) ca.20 min. Klassik Walmsburg Edition Text Sapporo (2222-4231-Pk mit Kt.-10,10,8,6,4 und gem.Chor) Sapporo Symphony Orchestra and Chorus unter Kotaro Sato, WP: 23.7.92 Sapporo/Japan 1996-Special mention, Eupropa Festival und II.Tonkünstler Fest Baden-Württemberg 1994 55. „Flammender Pfeil“ für Orchestra (6.1.1992) 1111-2110-4Sch-66442, Klassik Walmsburg Edition ca. 7 min.Animation Film von Tomas Meier-Hermenn und Kunst Academie 1984 WP. 10.5.92 Schauburg Kino bei Karlsruhe mit Orchester der Musikhochschule Stuttgart unter den Komponist mit Musikhochschule Tage Baden-Württemberg 1992, Production Filmacademie GmbH, 1. Filmaufführung am 1.8.92 an Cagligari-Kino in Ludwigsburg; 2 Filmaufführung. Am 27.11.92 an der Musichochschule Trossingen 56. Musik for Musikseriel für Oboe, Horn, Geige und Bratsche (22.2.1992/Stuttgart) ca.3 min. Künstlerische Abschlußprüfung in Stuttgart (KA) 57. Filmmusik für 4 Klarinetten (3.5.1992/Stuttgart-Mähringen, Siegmaringerstraße 10/1; New Edition 5.3.99) Eröffnung für Filmacademie Baden-Württemberg ca.12 min. 58. Parergon für Flammender Pfeil für Kleines Orchester (21.5.1992/Stuttgart) ca. 5 min. (1111-2110-1P-66442) 59. Concerto Grosso I „6 Parergon“ für Streichorchester (24.5.1992/Stuttgart) 44221+Pf.14 Musiker, ca.13 min. 59-a. Sub Concerto Grosso für Kammerorchester (18.1.1994/Stuttgart) (1010-1000, PF.44221:18 Musiker) ca.13 min. 60. Eine Mistel für Trommeln, Flügel und Streicher (23.6.1992/Stuttgart ca.12 min. 61. Septett I “Effet“ für 3 Schlagzeuger, 2 Klarinetten, Fagott und Posaunen (25.8.1992/Stuttgart) ca.17 min. 62. La Tentative für 3 Flöten, 3 Klarinette, 2 Pauken, 3 Geige, 3 Bratschen und 2 Trompeten (31.8-1992/Stuttgart) ca.17 min. 63. String Quartet III „Gitarrequartet“ (8.9.1992/Stuttgart) ca.10 min. 63-a. Sub-String Quartet II „La Tantation“ (5.12.92/stuttgart) ca. 10 min. 64. Octet III „Mon Gout“ for fl,cl,hp, 2vl, vla,vc and db (22.10.1992/Stuttgart) ca.12 min. 64-a.Sub Octet for fl,cl,pf, 2vl, vla,vc and db (17.8.97/Stuttgart) ca.12 min. WP:30.5.1998/18:00 in Mexico,Cameristas de Mexico, Director:Antonio Lopezrios/Veranstalter:INBA, Mexico Composition Prize 65. String Quartet IV „Quartetto Concreto“ mit Zusatzinstrumente (28.12.1992/Stuttgart) ca.9 min. 66. Die Wüste und das trockene Lasnd sollen sich freuen“ von Jesaja 35,1~6 für gemischern Chor unde 4 Instrument und Orgel (ad l.ib.) (16.4.1993/ Stuttgart) ca. 8 min. Klassik Walmsburg Edition, WP.am 12.11.1993 Hjarvestehuder Kammerchor unter der Leitung Claus Bantzer in Cloppenburg Stadt Halle um 20 Uhr; Cloppenburg Kultur 1st Prize 67. Kafkas Tagebuch für Altstimme und 4 Instrumentalisten (18.4.1993/Stuttgart)Text:Tagebuch von Franz Kafka, ca.10 min. Klarinette in Es mit Baß in B, auch mit Poppen, Vogelpfeife und Lotosflöte, Schlagzeug=2 Pauken mit 2 Maracas und Affetambrin mit vieler Schellen, Vibra-slap, Huf, Anklung, Watergong, große und kleine japanische Tempelglocken, Tamtam, Kettenrassel, Stahltrommel, Flexaton, Singende Säge, Amboss und Telefon apparat, Geige mit Holzblock, Bratsche mit Holzblock (bamboo), Violoncello mit Brunntopf mit Bogen), und Altsimme mit Waldteufel und Radiokassetemrecorder. 68. Octetto IV „La Communicazione“ per 8 Violoncelli (15.5.1993/Stuttgart) Durata 8 min. 69. Simulation III „3C9-1“ (14.6.1993/Stuttgart) Duration: 15:00 Movements: 1 Instrumentation: w:3-3-3-3, b:4-3-3-1, 4 perc, pno, hp, strings. Difficulty: moderate. Very contemporary music 70. String Quartet V „Celli Quartetto per Widerstand“ for 4 Violincellos (18.6.1993/Stuttgart) ca. 9 min. 70-a. Sub String Qrartet III (8.1.98/(Stuttgart) durata 10 min. 71. Veni Creator Spiritas für gemischen Chor, 4 Holzbläßerspieler und Orgel (28.6.1993) Dauer 14 min. Text:kat.Liturgie 72. Missa Previs für gemischen Chor a cappella (22.7.1993/Stuttgart) ca.8 min. 73. Nonetto I „Eine Musikalische Geschichte“ für 9 Instrumentalisten (30.8.1993/Stuttgart) ca.14 min. 0010-1111-1-Hb.-00101 73-a. Game-Boy (4.3.2000/Stuttgart) 0010-1111-1-Git-00101, ca.15 min. 74. Kammerkonzert IV für 14 Spieler (29.9.1993/Stuttgart) ca.15 min. 75. „Das Wirthaus et Frühlingstraum“ für Sprecher, Alt und Tenorchor, 3 Holzbläßer, Mandoline, Hackbrett und 2 Strteicher (5.10.1993/Stuttgart) ca.6 min. Text von Schuberts Werke 76. Tripel-Monolog für 2 Fagotte mit Kontrasfogott und Violoncello (18.11.1993/Stuttgart) ca.12 min. 77. Klang-Variation für Orgel solo (17.12.1993/Stuttgart) ca.5 min. WP 3.9.95 in Alte-Heumadenkirche von Komponist 78. Solo-Kabiki pour Kontrabaß solo avec, voix, cymbales suspendue, bloc de bois et castagnettes (30.12.1993/Stuttgart) ca.11 min. 79. Solo-Kyogen für Gitarre solo (22.1.1994/Stuttgart) ca.5 min. 79-a. Duo-Kyogen für Flöte und Gitarre (20.4.1994/Stuttgart) ca. 6 min.WP :Terza Rassegna Internationale di Compositione”Alfredo Gili”by Ensemble Octandre Sabato, 28 giugno 2003, ore 21.00 at the Sala Diana Franceschi in Villa Mazzacorati in Bologna, Via Toscana 19. Italia 80. Kyosou für Tenorsaxophon und Bratsche (19.2.1994/Stuttgart) ca. 7min. 80-a. Semi-Kyosou für Basssaxophon und Bratsche (25.2.1994/Stuttgart) ca. 7 min. 81. Reien für Trompete, Orgel und Fellschlagzeug (27.2.1994/Stuttgart) ca. 10 min. 82. Four Elemente for Clarinet, Violin and Viola (17.3.1994/Stuttgart) ca.6 min. 82-a. Four Elemente for Clarinet, Violin, Viola and Timpani (14.8.1998/Stuttgart) ca.6 min. 83. Kompositionatomkraftwerk für Posaune, Violincello und Celesta (31.3.1994/Stuttgart) ca.7 min. 84. The Secret Leakage for Celesta solo (12.4.1994/Stuttgart) ca. 10 min. 85. Kantate I „Weihnachten“ für Kinderchor, 5 Schlagzeuger, Orgel und Gemeinde (29.5.1994/Stuttgart) ca.23 min. Text: anonym 86. Concerto Grosso II „Semangat“ für Mandlineorchester (8.8.1994/Stuttgart) ca.17 min. 87. Blechbläserquintett III mit Schlagzeug „Der Rosarote Elefant“ mit Schlagzeug (12.8.1994/Stuttgart) ca. 10 min. Filmmusik Produktion mit Auftrag von LBQ und KFW, WP 30.9.1994 um 20:00 Uhr von LBQ in Ludwigsburg , 2. Aufführung: 4.2.1995 in Treffpunkt bei Rotebühlplatz Stuttgart, um 20:00 Uhr, Klassik Walmsburg Edition 87-a.Rosarote Identification Music for Brass Quintet (13.7.2001/Hilgenroth) ca. 2 min. 87-b.Postludium zu „Der Rosarote Elefant“ for Flute Orchestra (14.7.2001/Hilgenroth) ca. 1 min. 87-c.Postludium zu „Der Rosarote Elefant“ for Flute Ensemble (15.7.2001/Hilgenroth) ca.1 min. 87-d.Rosarote Identification Music for Soprano Saxophone, Flügelhorn, Accordion and Bass(1.10.2001/Hilgenroth) ca .2 min. 87-e.Postludium zu „Der Rosarote Elefant“ for 4 Saxophones (Sop.Alt.Ten. Bar.) (28.10.2001/Hilgenroth) ca.1 min. 88. Mythos X für Flügel solo “ Dauerfanfare für Marianne Schröder“ (30.8.1994/Luzern) ca.3 min. Klassik-Walmsburg-Edition World Premire am 5.11.95 Stuttgart um 20:00 Uhr in Landesgirokasse, Veranstalter Künststiftung Baden-Württemberg 89. Blechbläserquintett IV für 2 Tp.Hr,Po,Tb „Effi Briest“ in 2 Sätzen (8.9.1994/Stuttgart) ca. 5 min. Filmmusik Produktion mit Auftrag von LBQ und KFW, WP 30.9.1994 um 20:00 Uhr von LBQ in Ludwigsburg % 89-a. „Effi Briest“ in 2 Sätzen für 6 Instrumentalisten (26.8.98/Stuttgart) ca. 5 min. (Cl,Bc,Tb,Per.,Vc,Db) 89-b. „Effi Briest“ in 2 Sätzen für 4 Instrumentalisten (30.8.1998/Stuttgart) ca.7 min. (2Tp,Hr,Po) 90. Violinkonzert I „Heterophonisches Klagkozert (20.9.1994/Stuttgart) 2222-4331-Pk,2S,Hf,Str.11111, ca.17 min. 90-a.Doppelkonzert I Violin, Klavier und Orchester (2.5.1997/Stuttgart) 2222-4331-Pk,2S,Hf,Str.12-10-8-6-6, ca.17 min. 91. Kammerkonzert V für 9 Spieler (30.9.1994/Stuttgart) ca. 15 min. Verdreiunddreißig, Cantus Ensemble Prize in Croatia 2001 92. Vorspiel für Fagott und Fellschlagzeug (12.10.1994/Stuttgart) ca. 10 min. 93. „Nur noch kurze Zeit“ für gemischen Chor und Orgel ad lib.(19.10.1994/Stuttgart) ca.10 min. 29.17 bis 18 von Jesaja 94. Klang-Meditation I für Orgel und Metallschlagzeug (21.12.1994/Stuttgart) ca. 19 min.WP:5.2.1995 in St.Elisabethkirche/Kahlsruhe0Veranstalter, Auftragkomposition von Hartmut Nold und Matthias Krampe, 2.Aufführung 2.11.1996 in Gengenbach „Beeindruchende Klang“ – Meditation (Offenburger Tagesblatt): Veranstalter/ Hartmut Nold, 3.Aufführung 26.1,1997 in Villingen um 17 Uhr: Veranstalter Münster Villingen und Hartmut Nold % 94-a. Klang-Meditation I für Orgel solo (5.5.1995/Stuttgart) ca.15 min.WP.6.8.1995 Martinskirche in Stuttgart durch Komponist/ Veranstalter Martinskirche Stuttgart, 2.Aufführung (3.9.1995 in Alte-Haumaden Kirche=Veranstalter) durch Komponist 94-b. Klang-Meditation I für Akkordeon solo (17.8.1997/Stuttgart) ca.8 min. Publishing: Bundesakademie für musikalische Jugendausbildung, bak.trossingen@t-online.de 94-c. Klang-Meditation I mit Kirchenlieder für Orgel solo (12.9.1997/Stuttgart) ca.5 min. 95. Play Station II for orchestra, (22.1.1995/Stuttgart) Duration:14:00 (4444-7441-4P-pf.2Hp-18,16,14,12,10) 96. Work für Altsaxophon solo in Es (24.1.1995/Stuttgart) ca. 5 min. Veranstalter: Künstlerhaus Boswil/Schweiz; 2 mal Voraufführung mit Seminar am 8.5.1997, WP:10.5.1997 um 16 Uhr in Alte Kirche bei Boswil von Klaus Pfister (Sx) 96-a. Work für Klarinette in B solo (29.6.1997/Stuttgart) ca. 5 min. 96-b. Work für Bassklarinette in B solo (3.3.1999/Stuttgart) ca.6 min. 96-c. Work für Bassklarinette in B solo (2.2.04/Hilgenroth) ca. 7 min. 97. Partita di Lotteria per Arpa sola con voce (8.2.1995/Stuttgart) ca. 6 min. 98. Partita der Unterhaltung für 10 Instrumentalisten (12.2.1995/Stuttgart) ca. 10 min. 99. „Déjeuner du Matin“ de Jaques Preévert pour chouer à 5 viox de femmes (25.3.1995/Stutttgart) Text:anonym ca.4 min. Neuchatel International Composition Ptiz 2nd Priz 99-a. „Déjeuner du Matin“ de Jaques Preévert pour voix ensemble (25.3.1995/Stutttgart) Text:anonym ca.4 min. 100. Mini-Werk I "Je", (28.3.1995/Stuttart) Duration: 1:00 Movements: 1 Instrumentation: String orchestra, pno, solo cello, Sop, 2 actors. Difficulty: moderate. String orchestra very easy; solo cello part is very hard. WP.11.11.1995 in Delmenhorst/Manuela Ochakovski, Christoph Hampe, Johannes Harneit, Jochen Neurath, Kay Ivo Nowíck, Oldenburger Kammerorchester unter Jahannes Harneit, Veranstalter:Hespos/Neue Musik Delmenhorst: Konzertmitschnitt durch Radio Bremen in 1995 gesendet, Delmenhorst Kompositions Preis % 100-a. „Je“ for Violoncello solo (15.7.2000/Stuttgart) ca.1 min. 101. Brown reaches in and starts the ignition“ for Hackbrtett solo (21.4.1995/Stuttgart) Text: anonym film ca. 3min. 102. Eine Radical Variation for Violin and Marimba (7.6.1995/Stuttgart) ca. 7 min. 103. Mini-Werk II "Migration" (24.6.1995/Stutttgart) Duration: 1:00 Movements: 1 Instrumentation: 2 voice, w:2-0-0-Sax, b:0-0-1-0, 2 perc, Hp, Acc, Gt, Violins and Violas. Difficulty: moderate. WP.28.12.95 in Innsbruck von Tiroler Ensaemble für Neue Musik unter Günter Zechberger, Livesendung von Österreich I von ORF=Veranstalter 104. Trieb für Sopran und 10 Instrumentalisten (21.7.1995/Stuttgart) Text: Ps.97, ca.11 min. 105. Tanz-Suite „Catalogue de Dances“ für Kammerorchester (28.8.1995/Stuttgart) 2222-2220-Pk-1-Pf-10,8,6,6,4 ca.27 min. 106. Millennium Soldier II for mixed Choir and Orchestra (4.12.1995/Brahmshaus in Baden-Baden) Text :eigene, ca.10 min. 2222-4231-Pk mit Kt.- 10,10,8,6,4 und gem.Chor 107. Der Lobgesang der Maria“Magnificat“ für 4 Sängerinen und 8 Instrumentalisten (7.12.1995/ Brahmshaus in Baden-Baden) Text: kath. Liturgie, ca. 8 min. (Fl, Ob, Fg, Pk, 4 Sop, Gg, Bt, Vc, Kb) 108. Hornquartett II „Exposition-Metamorphose-Fantasie“ mit 2 Wagnertuben (10.12.1995/ Brahmshaus in Baden-Baden) ca.8 min. OKR-Komposition Preis; WP.18.5.1996 um 16:00 Uhr im Schloß Raesfeld/Borken (Westf.) mit Nordwestdeutsche Hornquartett, Bochum; Portraitsendung/WDR5 am 19.5.1996 von 9:20 bis 10:00;Veranstalter:OKR Bonn 109. Lichtental für 2 Trompeter und Pauker (14.12.1995/ Brahmshaus in Baden-Baden) ca. 10 min. 110. Wille für Flöte und Cembalo (29.1.1996/Stuttgart) ca. 7 min. % 110-a.Ordure of Wille I for Flute and Harp (13.8.97/Stuttgart) ca. 5 min. 110-b.Ordure of Wille I for Piano (21.7.97/Stuttgart) ca.3 min. WP.4.4.98 20 Uhr in Horb von Komponist;Veranstalter der Städtischen Musikschule Horb in Konzertsaal, 2.Aufführung am 10.5.1998 in Stuttgart-Theater Tredichin um 11 Uhr von Komponist, 3.Aufführung, am17.5. bei Haus Morgenstern um 16 Uhr, Veranstalter Haus Morgenstern, 4. Aufführung am 5.7.1998 bei Rudorf Steiner Haus um 11 Uhr/Veranstalter Anthroposophische Gesellschaft, 5. Aufführung am15.9.1998 in Bürgerhospital um 18 Uhr/ Vetranstalter Bürgerhospital Stuttgart, 6. Aufführung am 7.11.1998 in Göppingen um 20 Uhr bei Michaelkirche=Veranstalter, 7.Aüfführung am 8.11. 1998 in Welzheim um 17 Uhr, Veranstalter: Annete Penzkofer, 8.Aufführung am 22.11.1998 in Theater Tredichin bei Stuttgart um 17:00 Uhr, 9.Aufführung am 30.7.2000 um 20:Uhr in Salem—Oberstenweiler bei Bodensee % 110-c.Ordure of Wille für Flöte, Bratsche und Harp (15.8.1997/Stuttgart) ca. 5 min. 110-d.Ordure of Wille für Flöte, Bratsche und Klavier (15.8.1997/Stuttgart) ca. 5min. 111. Grab und Mond nach Chor der Engel für gemischen Chor mit Flügel (23.2.1996/Stuttgart) von Schuberts Werke ca. 7 min. 111-a. Carl von Ossietzky für gemischen Chor mit Flügel (11.9.1997/Stuttgart) ca. 7 min. Oldenburg-Chorkomposition-Prize 112. Quattro Pezzi „Hyme des Premières Vétres de Saint Martin“ pour Choeur à voix mixres (23.3.1996/Stuttgart) ca. 6 min. Kat. Lituegie 112-a. Quattro Pezzi „Hyme des Premières Vétres de Saint Martin“ pour Choeur à voix mixres avec Alto solo (16.11.1996/Stuttgart) ca. 5 min. 112-b. Quattro Pezzi „Hyme des Premières Vétres de Saint Martin“ per 8 soli con Tenor solo (15.12.2000/Stuttgart) ca. 5 min. 113. Tre Pezzi für 2 Blockflötem (sp.Alt.) (25.3.1996/Stuttgart) ca. 4 min. % 113-a. Quattro Pezzi for Recorder Quartet (24.8.1998/Stuttgart) ca.6 min. 114. Due Pezzi für Bass Oboe und Bassklarinette (26.5.1996/Stuttgart) ca.3 min. 115. Noch Mal Quattro Pezzi für Geige, Violoncello und Klavier (27.5.1996/Stuttgart) ca. 4 min. für Anfänger 115-a. Noch Mal Quattro Pezzi für Geige, Oboe und Klavier (29.4.1997/Stuttgart) ca. 4 min. für Anfänger 115-b. Der Schwache fällt dem Starken zum Opfer für Klarinette, Cello, Posaune und Flügel (12.8.99/Stuttgart) ca.11 min. 116. Noch Mal Tre Pezzi for Violin, Clarinet and Marimba (29.5.1996/Stuttgart) ca. 7 min. 116-a. Noch Mal Tre Pezzi for Violin, Oboe and Marimba (29.89.1996/Stuttgart) ca. 7 min. 116-b. Noch Mal Tre Pezzi for Clarinet and Marimba (29.9.1996/Stuttgart) ca. 7 min. 117. Orgelkonzer I „ Noch Mal Due Pezzi“ (29.8.1996) 2222-2240-Pk.88644 ca. 12 min. 117-a. Noch mal Due Pezzi für Orchester (31.8.1966/Stuttgart) 2222-2200-Pk-88644, ca. 12 min. 118. Septett im 2 Sätze (10.9.1996/Blonay) ca.12 min.Fl,Cl,Tp,Vb,Vl,Vc: WP. Für 1.Satz am 16.9.1996 in Konservatorium/Luzern Internatinal Sommer Festival (Veranstalter) um 18 Uhr unter Komponist von Katarina Egli, Dani Häuser, Patrik Ottiger, Marco Müller, Herbert Bättig, Daniela Müller, Simon Niederhauser 119. Concerto Grosso III für Akkordion Orchester (12.9.1996/Stuttgart) ca. 6 min. Publishing: Bundesakademie für musikalische Jugendausbildung, bak.trossingen@t-online.de 120. Duo-Fantasie für Akkordeons (27.9.1996/Stuttgart) ca. 8 min. Publishing: Bundesakademie für musikalische Jugendausbildung, bak.trossingen@t-online.de % 120-a. Anaki I "Total Sync" für Akkordeon und Klavier(22.2.02/Hilgenroth) ca.8 min. Publishing: Bundesakademie für musikalische Jugendausbildung, bak.trossingen@t-online.de 120-b. Duo-Fantasie for 2 Pianos (2.5.2002/Hilgenroth) ca. 8 min. 121. „La Gurrriera e La Sposa Morta“ per Coro Maschile (3.10.1996/Stuttgart) ca. 4 min. von Italienischer Volkstext 122. Violinkonzert II (1.1.1997/Stuttgart-Heslach, Bachwiesenstraße 25) ca. 10 min. 2222-2110-3P, 12,10,8,6,4 122-a. Doppelkonzert II für Gerige, Klavier und Orchester (2.5.1997/Stuttgart) 2222-2110-3P, 12,10,8,6,4: ca. 10 min. 122-b. Geige ganz solo (25.5.1997/Stuttgart) ca. 10 min. 123. Kantate II „Über die Hoffnung“ für gemischen Chor und 7 Posaunen (5.1.1997)/Stuttgart/Heslach) ein evangelicher Text, ca. 11 min. Finalist beim International Schwäbischgmund Kompositionswettbewerb % 123-a. Proprium für ein Heiligkeitfest für gemischen Chor, Gemeinde und Posaunenchor(12.10.1998/Stuttgart) ein evangelicher Text, ca.12 min. 123-b. Über di Hoffnung für 4 Gesang-solisten, gemischen Chor, 7 Posaunen und Schlagzeug (30.11.1999/Stuttgart) ca.15 min. 124. Otnacca für Klarinett solo (7.1.1997/Stuttgart-Heslach) ca. 6 min. WP.4.4.1998 um 20 Uhr in Horb/Necker vo Günter Müller-Rogalla (Cl und Auftragsgeber) Veranstalter der Städtischen Musikschule Horb; 2. Aufführung am 29.11.2000 in Bologna , Accademica Filarmonica, Sale Mozart, Gaspare Tirincani (CL) % 124-a. Otnacca für Saxophon solo (22.8.97/Stuttgart) ca. 6 min. 124-b. Otnacca für Bassklarinette in B (3.3.1999/Stuttgart) ca. 6 min. 124-c. Otnacca für Kontrabassklarinette in B (1.2.04/Hilgenroth) ca. 125. String Quartet VI „Dietro il Ponticello“(18.1.1997/Stuttgart-Heslach) Durata 12 min. FMW-Komposition Prize 2001, WP. 3 pm, am 30.9.2001, Richmond Hall in Melborne/Australia by FMW-Quartett, at the Federation Music Week 2001 % 125-a. Quintett-Joruri für Klarinette und Streichquartett (3.3.1999/Stuttgart) ca. 12 min. 125-b. Solo Jyoruri for Violoncellocello solo (9.9.1998/Stuttgart) ca. 6 min.WP.am 15.9.1998 in Bürger Hospital/Stuttgart(Veranstalter) um 18:00 Uhr; 2.Aufführung, am 7.11.1998 in Göppingen um 20 Uhr , Michaelkirche=Veranstalter; 3.Aufführung, am 8.11.1998 in Welzheim um 17 Uhr, Veralstalter:Annette Penzkofer, 4. Aufführung, 3.10.1999 um 14 Uhr, Open Air Bühne in Schloßplatz Stuttgart beim Kultur Markt 99 Veranstalter Kulturamt Stuttgart / Erste Aufnahme bei Diana-Maria Sagvoskina von Komponist (Vc.)30.9.1999; 5.Aufführung am 2.7.2000 in Rudorf-Steiner Haus Stuttgart= Veranstalter, 6.Aufführung am 30.7.2000 um 20 Uhr in Salem-Oberstenweiler am Bodensee; 7.Aufführung am 12.1.2002 um 20:00 Uhr in Steiner Schule in Göttingen= Veranstalter 125-c. Solo Jyoruri for Violin solo (3.10.1999/Stuttgart) ca. 6 min. // Erste Aufnahme bei Diana-Maria Sagvoskina von Komponist (Vl.), 11.5.2001; WP.am 11.5.2001 um 20 Uhr in Rudorf Steiner Haus Stuttgart,Veranstalter Sozialwissenschaftliche Forschunggesellschaft e.V.; 2. Aufführung am 12.5.2001, 2001 um 20 Uhr in Rudorf Steiner Haus Stuttgart=Veranstalter % 125-d. Solo Jyoruri for Bratsche solo (6.3.2000/Stuttgart) ca. 6 min. // Erste Aufnahme bei Diana-Maria Sagvoskina von Komponist (Bt.)30.9.1999 126. Imitation I for 6 Players (23.1.1997/Stuttgart-Heslach) ca. 4 min. Publishing: Bundesakademie für musikalische Jugendausbildung, bak.trossingen@t-online.de 127. Eine Astrale Welt A für Sopran, Flöte, Akkordeon und Metallschlagwerk (23.2.1997/Stuttgart) Text von Diana-Maria Sagvoskina ca. 7 min. 127-a. Eine Astrale Welt-Suppelment für Sopran, Flöte und Metallschlagzeug (13.8.1997/Stuttgart) ca. 7 min. 127-b. Eine Astrale Welt-Zwilling für Alt, Oboe, Geige und Klavier (28.8.1997/Stuttgart) Text von Diana-Maria Sagvoskina, ca. 7 min. 128. Amusement Sonore „Les Mots Inutiles“ pour choeur voix mixtes, flûte avec piccolo et violin (7.3.1997/Stuttgart-Heslach) ca. 5 min. CMC Choir Composition 2nd Priz in Canada. 129. Sanctus et Benedictus für 4 soli, gemischen Chor und Orchester (14.4.1997/Stuttgart-Heslach) ca. 9 min. 0220-2200-Pk-Op.66442; Kat. Liturgie 129-a. Sanctus et Benedictus für gemischen Chor, Pauken, Metallschlageug, Synthesizer und Orgel positiv (28.8.1999/Stuttgart) ca.10 min. 129-b. Sub-Kammersinfonie I für kleines Orchester (28.8.1999/Stuttgart) ca. 9 min. 02202200,1,66442 129-c. Sanctus et Benedictus für gemischenChor, 2 Streichorchester und 2 Schlagzeuger (28.8.1999/New:19.11.1999/Stuttgart) ca.15 min. Str:222221+44221 130. Klang-Meditation II „Ouvertüre“ für Orgel und Vibraphon (4.28.1997/Stuttgart) ca. 8 min. Auftrag von Hartmut Nold % 130-a. Klang-Meditation II „Ouvertüre“ für Orgel solo (20.6.1997/Stuttgart) ca. 4 min. 130-b. Klang-Meditation II „Ouvertüre“ für Akkordeon solo (20.6.1997/Stuttgart) ca. 4 min. Publishing: Bundesakademie für musikalische Jugendausbildung, bak.trossingen@t-online.de % 130-c. Klang-Meditation II mit Kirchenlieder für Orgel solo (12.9.1997/Stuttgart) ca. 4 min. 130-d. Klang-Meditation for 5 Musiciens (27.10.1997/Stuttgart) ca. 8 min. 131. Wechsellied beim Weine für gemischen Chor (11.6.1997/Stuttgart) Text von Eduard Mörike, ca. 10 min.WP.11 Uhr am 12.10.97 in Fellbach/ im Höderinsaal der Schwabenlandhalle durch Ensemble „Opus 7“ des Philharmonischn Chores Fellbach unter Prof. Alfons Scheirle: Veranstalter Stadt Fellbach Kulturamt, Mittschnitt SWR 1997/98, 1.Weinmusik-Preis-Fellbach 1. Platz 132. Mini-Werk III "Pescara, Pescara", per Orchestra piccola (20.6.1997/Stuttgart-Heslach) Duration: 1:10 Movements: 1 Instrumentation: w:1-1-1-1, b:1-1-1-0, 3 perc, strings(10-8-4-4-2). Difficulty: moderate. Chiola Music Press in Italia.Wp.lunedi , ore 21:15, 15th 12.1997 a sala da determinare in Pescara/ Italia by Orchtra di Stato di Oradea conducted by Composer: Chiola Music Press in Pescara 133. Duo-Kobanashi für Klarinette und Akkordeon (1997/Stuttgart) ca. 12 min.WP.4.4.1998 um 20 Uhr in Horb/Necker von Günter Müller-Rogalla (Cl und Auftragsgeber) und Dieter Dörrenbächer (Akk.): Veranstalter der Städtischen Musikschule Horb Publishing: Bundesakademie für musikalische Jugendausbildung, bak.trossingen@t-online.de 134. „Déjà Vu“ für 2 Sännerinenn mit Flügel + 3 Stöcke, Ratschen, Zirpen des Froschs und Plastikhammer (2.7.1997/Stuttgart/Heslach) ca. 7 min. Text von Diana-Maria Sagvoskina 135. „Das Hohelied = 3kt K. Passion“ für gemischen Chor und Blechbläßerquintett (27.7.97/Stuttgart-Heslach) Text-Bibel ca. 12 min. 136. Michael-Verbindung für Gesang, Oboe und Geige (27.7.1997/Stuttgart-Heslach) ca. 6 min. Text von Diana-Maria Sagvoskina 137. Ein Babylonisches Essen I für Akkordeon solo (9.9.1997/Stuttgart-Heslach) ca.8 min. WP.4.4.1998 um 20 Uhr in Horb/Necker von Günter Müller-Rogalla (Auftragsgeber), Dieter Dörrenbächer (Akk.): Veranstalter der Städtischen Musikschule Horb Publishing: Bundesakademie für musikalische Jugendausbildung, bak.trossingen@t-online.de 138. Menagerie IV „Talos V – Tabu“ für Symphonisches Brasorchester (21.9.1997/Stuttgart/Heslach;New Edition 4.12.97) ca. 3 min.216+Bkl14Sx.2331Th, Bar, Eup, Pk mit Gt.u.Kt, 2Hk.u.Ttu.Gp., Kontrabass, ca.3min. 139. Klavierkonzert I (27.11.1997/Stuttgart: 3222-4330,Pk,2S, 14,12,8,6,6) ca. 18 min. 140. Blechbläserquintett V für 2 Tp.Hr,Po,Tb (8.12.1997/Stuttgart) ca.12 min. 141. „Nun Lob, Mein Seel, den Herrn“ für gemischen Chor a cappella (15.1.1998/Stuttgart-Heslach) ca. 5 min. 142. Imitation II for 6 Players (23.1.1998/Stuttgart-Heslach) ca. 4 min. Tsx.Tim 2Pf. Rythum and Melody 143. „Ein Zeichen sind Wir“ für Musiker, Tanzer, Sprecher und Melerei (14.2.1998/Stuttgart-Heslach) ca. 30 min. 9 Musiker (2Gg, Vc, 2 Lei, Ob, Pf, 2 Sch, + ad lib.Orchester mindestens 8 Musiker) mit Dirigent, UA mit Improvisationen am 14.12.1997 im Theater Tredichin Stuttgart um 17 Uhr/Organisation von Diana-Maria Sagvoskina 144. „Priere pour les Malades“ pour coeur à cinq viox de fimmes (21.2.1998/Stuttgart-Heslach) ca. 5 min. 145. Play Station III for orchestra, (16.3.1998/Stuttgart-Heslach) Duration: 20 min. Movements: 1 Instrumentation: w:4-4-4-4, b:4-3-3-1, timp + 2 perc, pno, hp, strings (16-14-12-10-8). Difficulty: hard. For 2 Conductors with Very hard piece. 146. Simulation IV, WVE-146 (15.5.1998) Duration: 12:00 Movements: 1 Instrumentation: w:3-3-3-3, b:4-3-3-1, 12 perc, pno, hp, strings.14, 12, 10, 8, 6; Difficulty: moderate. Very contemporary music with 12 percussionists; 26 Page %146-a.Simulation for 12 Percussions (23.8.2002/Hilgenroth) ca. 17 min. 147. 7 Super-Mini-Piano-Pieces (25.6.1998/Stuttgart-Heslach) ca. 3 min. Revised 6th 8.98/26th 11.98WP., am 5.7.1998 bei Rudorf Steiner Haus Stuttgart um 11:00 Uhr, Org. by Anthroposiphische Gesellschaft, 2. Aufführüng am 15.9.1998/ in Bürger Hospital Stuttgart=Veranstalter um 18 Uhr;3.Aufführung, am 7.11.1998/Göppingen um 20 Uhr, Michaelkirche=Veranstalter; 4. Aufführung am 8.11.1998 in Welzheim um 17 Uhr, Veranstalter: Annette Penzkofer; 5. Aufführungam 22.11.1998 in Stuttgart Theater Tredichin=Veranstalter um 17 Uhr, 6. Aufführung 15.4.1999 in Sofia bei Second Festival Ppianissimo/Bulgalia; Vierdreiunddreißig München, Sofia Piannissimo Priz 148. „Es Spielen Einst Drei Bruder“ für Frauen Chor (21.7.1998/Stuttgart) ca.2 min. 149. „Wenn Ich das Nachts vor dem Feuerlein Steh“ für Männerchor und Klavier (26.7.1998/Stuttgart) ca.3 min. 150. „Deferteurlied“ für gemischen Chor und 6 Instrumentalisten (29.7.98/Stuttgart) ca. 4 min. Kl, Fg, Hr, Gg, Bt, Vc. 151. „Bonte Abeeln“ für Sopran, Sprechstimme, Bassklarinette und Flügel (5.8.1998/Stuttgart) ca. 4 min. 152. Concerto Grosso IV für Flute Orchestra (20.8.1998/Stuttgart) ca. 8 min. New edition: 1.11.98 153. „Beati Pauperes Spiritu“ for mixed Choir a cappella (9.12.1998/Stuttgart) ca. 4 min. Matthaeus 5,3-10 154. „Pater Noster“ für mixed Choir and Organ (11.12.1998/Stuttgart) ca. 4 min. Matthaeus 6,9-13 155. Septett III „Tanzglocken“(18.12.1998/Stuttgart) ca. 8 min. Fl, Ob, Cl, Hr, Tp, Pk, Tg.:1 Preis International Kompsitionswetbewerb in Balingen 1999; CD-Aufnahme 4.4.2000 Neu Musik Ensemble Trossingen unter Prof.Helmut Cromm in Trossinger Musikhochschule durch Verlag: Forum Music Sulz a. N./ Miri Ton 10001 mg Musikproduktion mit SWR; WP.am 8.7.2000 in Balingen/BRD um 19:30 Uhr in Markt Platz, Open Air Konzert, Veranstalter: Stadt Balingen mit Rundfunkaufnahme für Radio und TV des SWR, All versions by Verlag Vierdreiunddreißig München: for 5 years Original version at Forum Music Sulz a. N. bis 2005 % 155-a.Sub-Kammersinfonie II for Chamber Orchestra (8.11.1999/Stuttgart) ca. 10 min. (1110-1100,Pk,70050) % 155-b.Sub-Violinkonzert (20.4.2000/Stuttgart) ca 20 min. (1010-1100-Sch, Pf-11111) 155-c. Sub-Saxophonkonzert (24.4.2000/Stuttgart) ca.12 min.(3222-4231-Pk-,2Sch,12,10,8,6,6,) 155-d. Pro-Tanzglockenspiel for 2 Saxophones, Timpani, Piano and Violincello ca. 8 min. (19.4.2000/Stuttgart) 155-e. Pro-Tanzglockenspiel for Alto flute, Clarinet, Timpani, Piano, Violin and Vilincello ca. 8 min. (5.5.2000/Stuttgart) 155-f. Sub-Saxophonkonzert für Saxophone und Blasorchester (18.9.2000/Stuttgart) ca.8 min % 155-g. Septett III „Hackbrett-Spiel“ (28.9.2000/Stuttgart) ca. 8 min. Fl, Ob, Cl, Hr, Tp, Pk, Hb. 155-h. Spiel for XXI. Jahrhunderts (8.11.2000/Stuttgart) ca. 8 min. MS, Po, Pk, Ak, Pf, Vl. 155-i. Polyphonisches Konzert für Blass Kappelle (15.11.03/Hilgenroth) ca. 8 min. 156. Klavierkonzert II (3.1.1999/Stuttgart: 2222-2110, Pk, 2P, Hp, Cel-12,10,8,6,4.) ca. 12 min. % 156-a. Exemplum für Orgel und Klavier (1.4.1999/Stuttgart) ca. 10 min. 156-b. Concerto for Electric Guitar and Orchestra (1.4.1999/Stuttgart) ca. 10 min. 2222-2110, Pk, 2P, Hp, Cel-12,10,8,6,4 156-c. Anaki II „Friends or Enemies ?" “ for Accordion and Piano (21.2.02/Hilgenroth) ca.10 min. Publishing: Bundesakademie für musikalische Jugendausbildung, bak.trossingen@t-online.de 156-d. Exemplum for 2 Pianos (4.5.2002/Hilgenroth) ca. 10 min. 157. Imitation III „ Major Variation“ for 4 Saxophones + 2 Players (11.1.1999/Stuttgart-Heslach) ca. 4 min. 158. „Everything“ for Bass and Celesta (14.1.1999/Stuttgart) ca. 5 min. Text: Sirach 39,33-35, 5 Seite 159. „The Desert“ for Alto and 5 Instrumentalisten (22.1.1999/Stuttgart) ca. 11 min., Text Iasial 35, 1-4, 16 Seite (Alt, Fl, Cl, Cb, Cel) 160. Nonetto II for 9 Instruments (31.2.1999/Stuttgart) ca. 6min., 8 Seite (Fl, Ob, Kl, Sch, Pf, Vl, Vla, Bw, Vc) 161. Flute Quartet II „Nagauta-Quartett“ für Shinobue, Flöte, Altflöte uns Bassflöte (12.2.1999/Stuttgart) ca. 15 min. Auftrag von Shigeko Fukui: alle Fassungen von Vierdreiunddreißig München: WP.9.4.1999, Kyoto Mata-Bunkakaikan/Japan, 8 pm. Noriko Yoneyama:Player,Albireo Querflötenquartett :Shigeko Fukui, Akiko Ii, etc. 2.Auffphrung 11.4.1999 Osaka, Hoshitan-Ongakudo/Japan, Organisation: Hiroko Hinoue with CD Recording by Bauer Studio Ludwigsnurg/Germany, 3 Aufführung with CD, 3.10.1999/ in Schlossplatz/Stuttgart Open Air Bühne mit Tanz, Organisation by Kulturamt Stuttgart, 4.Aufführung (New Version) 21.6.2001 à Societe d´Exposition des Salons du Cercle Republications à Paris/France by „Umibueno Kai“ Flute Ensemble in Shiga (Akiko Ii) %161-a.. Nagauta Solo for Oboe solo (17.7.2002/Hilgenroth) ca.7 min. 161-b. Nagauta Solo for Flute solo (18.7.2002/Hilgenroth) ca.7 min. %161-c. Nagauta Solo for Recorder solo (19.7.2002/Hilgenroth) ca. 7 min. %161-d. „Nagauta-Quartett—Supplement für Piccolo, Flöte, Altflöte und Bassflöte (7.8.2000/Stuttgart-Heslach) ca. 15 min.WP.15.9.2000 in Musikhalle bei Ludwigsburg=Veranstalter Shigeko Fukui-Fauser um 20 Uhr, by Albireo Querflöten Quartett (Shigeko, Fukui,Hiroko Hinoue, Misa Kokita, Junko Morita; 2 Aufführung 16.9. 2000 in Spital Kirche bei Baden-Baden/Veranstalter, um 17 Uhr; 3.Aufführung 17.9.2000 in Liden Musium bei Stuttgart=Veranstalter, um 17:30 Uhr; 4 Aufführung 19.9.2000 in Garerie in Kornwestheim um 20 Uhr, Veranstalter: Städtischen Orchester Kornwestheim; 5.Aufführung: 20.9.2000 Ev.Luterkirche Dreifaltugkeitkirche in Dormbach-Rhön Ost/BRD, 20 Uhr, 6,Aufführung 21.9.2000 Schwerin Ev,Kirche Ost/BRD, um 19 Uhr; 7.Aufführung 22.9.2000 Seligental Ev.Kirche Ost BRD; 8.Aufführung:23.9.2000 Manggha in Kraków/Polen; 9.Aufführung,3.6.2001.in Ikeda /Japan by Albireo QuerflötenQuartett; 10. Aufführung: 4.6.2001 in Kyoto by Albireo Querflöten Quartett;11.Aufführung: 27th 9.2001 in Suhl/BRD ;12. Aufführung: 28th 9.2001 in Eisennach; 13.Aufführung: 29th 9.2001 in Weimar; 14. Aufführung: 30th 9. 2001 in Pilnitz; 15.Aufführung: 1st 10. 2001 in Meißen in Germay; 16. Aufführung: 2nd 10. 2001 in Dresden; 17. Aufführung: 5th 10. 2001 in Köln Japanische Kultur Institut um 19 :00 Uhr; 18. Aufführung: 7th 10. 2001 in Altensteig ;19. Aufführung: 8th 10. 2001in Detzingen ; 19.Aufführung am 28.9.02 (Samstag) in Spiegelzelt um 19:30~19:30 in Stuttgart/Schlossplatz/Germany bei Kulturmarkt Beteiligung am Kulturmarkt Stuttgart (Veranstalter): Präsenz und Aktionen: WVE-161 by Shigeru Kan-no, Aufführung:, "...gen Unverklungen..." Hommage à Paul Celan, Bewegungsperformance mit Neuer Musik , Diana-Maria Sagvosdkina, Günther Arnulf 161-e. Nagauta Solo for Alto Flute solo (8.1.2004/Hilgenroth) ca.7 min. 162. „Quand Tu Advances“ pour voix de femmes et 4 cuivres (2.3.1999/Stuttgart-Heslach) ca. 3 min.(2tp.cor, Tb), Publisher : Vierdreiunddreißig München 163. Kammersinfonie IV „Ein Gehirnwäsche“ für Kammerorchester und Altstimme (3.4.1999/Stuttgart) ca. 20 min.1101Sx-0110,Sch, 66442 (möglich auch solistisch) Difficulty: moderate. With alt voice. 164. Concerto Grosso V “Eine Volksreinigung“ für Altsimme und Jazz Combo (3.5.1999/Stuttgart) ca.14 min. 165. „Die Herbstfeier“ für gemischen Chor, 2 Gesangsolisten und 10 Instrumentalisten (15.4.1999/Stuttgart) ca.27 min., Bkl, Ehr, Bkl, Kfg, 2 Sch, Gg, Bt, Vc, Kb.Text:Eduard Mörike 166. Mini Werk IV „Mini Opera“ für 2 Sängerinen, eine Sprecherin, und 9 Spieler (30.5.1999/Stuttgart) ca. 4 min. mit Inszenierung: Text, commercial paper with spanish, Feldman and Samuel Becket, etc, however not do sing but do shake!!!!!! 167. Mini Werk V „Cadance“ for 2000 years for Flute, Clarinet, Cello and Piano (11.8.1999/Stuttgart/revised 15.8.1999) ca. 4 min. Wp. 28th May 2000 Décadance, 82, rue des Coverts, F-34400 Lunel/France avec groupe Coma et l´ensemble Décadance; co-production:Ville de Lunel / Décadance, à Parc Jean Hugo (Salle Castel en cas d´interpréries); Publication alle Fassungen bei Vierdreiunddreißig München 167-a. Cadance für Septett (17.8.1999/Stuttgart) ca. 5 min.Gg, Ci, Pt, Per, Tb, Bn and Db. 167-b. Cadance for Piano solo (26.2.2000/Stuttgart) ca. 4 min. UA am 5.1.2000 um 17:00 Uhr Theater Tredichin Stuttgart=Veranstalter; 2.Aufführung am 27.1.2001 um 17 Uhr in Steiner Haus Stuttgart=Veranstalter, 3.Aufführung am 7.8.2002 in Dornach/Basel/Schweiz um 20:30 in Trassensaal, Veranstalter: Goetheanum Dornach; 4.Aufführung am 14.9.02 um 20:00 Uhr in Göttingen, Veranstalter Eurythmiehaus Göttingen Waldorf Schule; 5. Aufführung, am15.9.02 in Goslar um 16 Uhr, Veranstalter Turmsaal des Alterheim Klster Framkenberg 167-c. Sub-Kammersinfonie III “Millennium Cadance“ (18.2.2000/Stuttgart) ca. 4 min. 1101-01(Piston)10-P.-66442 % 167-d. 24 Variation ohne Thema for Quintett (7.4.2000/Stuttgart) ca. 4 min. Fl, Ob, Cl, Vl, Vc. 167-f. Cadance“24 Variation without Theme“ (4.5.2000/Stuttgart) ca. min. (Bcl, Tp, Per, Pf, Vl, Vc) 1st Ensemble Aleph Compositios Prize Paris 2000Voraufführung: 19. 8.2000 à 21h30 by Ensemble Aleph à Paris, Veranstalter La Napoule Art Foundation in Napoule/ France; WP.19h30, 9.10.2000; 2nd Performance pour Jouness14h30 10th 10 2000; 3rd Performance19h30, 10th 10 2000; 4th Performance19h30 11th10 2000; 5th Performance.18:00, 12th Oct 2000 à Théàtre Dunois/Paris by Ensemble Aleph, Organisation CDMC et Sacem; 6th Performance 17.2.2001 Warehouse/Waterloo/London 19h30; 7th Performance 30.5.2001 in Corfou/Grèce; 8th Performance in Torino /Italia a Theatro Piccolo Regio, Piazza Castello 215, Amitiés Drouin ore 20:45, all are Organisation by Agent Double in Paris par Ensemble Aleph 167-g. Cadance“24 Variation without Theme“ for Sextet (5.5.2000/Stuttgart) ca. 5 min. Bfl, Bcl, Mp, Pf, Vl, Vc. 167-h. Cadance“24 Variation without Theme“ for Sextet (4.7.2000/Stuttgart) ca. 5 min. Fl.Ob, Cl, Hr, Fg, Pf. % 167-i. Cadance“24 Variation without Theme“ for Sextet (27.10.2000/Stuttgart) ca. 5 min. Ms, Po, Mp, Ak, Pf, Vl. 167-j. „Hi“ for American Poet for Violin and Piano (12.11.2000/Stuttgart) ca. 5 min. 167-k. Cadance“24 Variation without Theme“ for Sextet (7.2..2001/Hilgenroth) ca. 5 min. Fl, Ob, Cl, Hr, Sx, Fg. % 167-l. Sub-Mini-Werk for Quintett (24.6.2001/Hilgenroth) ca. 5 min.Cl, Fg, Mp, Vl, Vc. 167-m.“Hi“ for Violin, Piano and Metal Percussion (5.1.2001/Hilgenroth) ca. 5 min. 168. Concerto Grosso VI „Ein Geschenk aus der geistlischen Welt“ für Streichorchester (12.10.1999/Stuttgart) ca. 8 min. al meno 66442 % 168-a. Solo-Concerto Grosso „Ein Weltraum in Mir“ for solo Piano, (21.4.2000/Stuttgart) ca.7 min. 168-b. Pro-Concerto-Grosso for Accordion and String Quartet, (23.5.2000/Stuttgart) ca.12 min. Publishing: Bundesakademie für musikalische Jugendausbildung, bak.trossingen@t-online.de % 168-c. Semi-Concerto-Grosso I for Accordion and String Orchestra (30.4.2001/Hilgenroth) ca.10 min. Str.(14-12-10-6-4): 2 Agosto Composition Prize in Bologna/Italia, Opened Reharsal 1 Agosto 2001 in Piazza Maggiore a Bologna dalle 21:00 alle 24:00, WP.2 Agosto in Pazza Maggiore a Bologna dalle 21:00/Accodion solo Ivano Battiston, Orchestra: Sinfonica della Foundazione „Arturo Toscanini“ a Palma, Direttore: Pietro Borgonovo, Live by Radio Tre in Italia; TV-Broad Casting 5th Agosto dalle 9:00 di Rai Tre, CD-Production Alfa Music Studio, Fabrizio Salvatore, Via G.Turner, 27/31, I-00169 Roma/Tel:0039-06-263-067, Fax:0039-06-23269-109; E-mail alfastudio@tiscalinet.it Publishing:Bundesakademie für musikalische Jugendausbildung, bak.trossingen@t-online.de % 168-d. Sub-Piano Concerto I for Piano and String Orchestra (18.5.2001/Hilgenroth) ca.10 min. 66442 168-e.„Ein Geschenk aus der geistlischen Welt“ for Harp, Cembalo, Piano and String Orchestra (15.5.2002/Hilgenroth: 66442) ca. 14 min. 169. Menagerie V for Blasorchestra (22.10.1999/Stuttgart) ca. 5 min.206003Sx-23312Eup-Pk.Sch. 170. Simulation V for Orchestra (7.11.1999/Stuttgart) ca. 5 min. 4444-4431-Pk,3S, 2Hp, Cel-16, 16, 12, 10, 8, 171. String Quartet VII „Vuota Corda“ (9.1.2000/Stuttgart) ca. 9 min. 172. Play Station IV „Umgebungsmusik“ für Orchestra (27.2.2000/Stuttgart) ca. 30 min. 4444-4431-4S-16, 16, 12, 10, 8, 68 Page 173. Missa Piccola pour choeur de femmes a cappella (5.3.2000/Stuttgart) ca. 5 min. 173-a. Missa Brevis for 2 Pianos (14.5.2002/Hilgenroth) ca. 5 min. 174. „Über die Nacht meiner Geburt von Andreas Gryphius“ für Mezzosopranstimme und Flügel (9.6.2000/Stuttgart) ca. 5 min. % 174-a. „Über die Nacht meiner Geburt von Andreas Gryphius“ für Flügel solo mit Hammer, Glass, Staub, Bauklötze und Stimme (12.6.2000/Stuttgart) ca. 5 min.WP.17.6.2000 um 20:00 Uhr in Rudorf Steiner Haus Stuttgart, Veranstalter von Werkstattkonzert mit Eurythmie „Lebendige Gestalt“; 2. Aufführung am 2.7.2000 in Rudorf Steiner Haus Stuttgart, Veranstalter % 174-b. „Über die Nacht meiner Geburt von Andreas Gryphius“ für Tenorstimme und Flügel (8.11.2000/Stuttgart) ca .5 min. % 174-c. „Über die Nacht meiner Geburt von Andreas Gryphius“ per Canto solo (16.4.2000/Stuttgart) ca .5 min. % 174-d. „Über Die Nacht Meiner Geburt von Andreas Gryphius" for Tenor, Horn, Piano and Double bass (20.2.2002)ca.5 min. 174-e. „Über Die Nacht Meiner Geburt von Andreas Gryphius" für Sopran und Flügel (14.1.04/Hilgenroth) ca.5 min. 174-f. „Über die Nacht meiner Geburt von Andreas Gryphius“ für Blockflöte, Tenorstimme, Flügel und Midi-Tape (1.2.2004/ Hilgenroth) ca. 5 min. 175. „Tulpen für Mädy“ für gemischen Chor a cappella (10.9.2000/Stuttgart) ca. 10 min. Text: Marie-Liuse Kaschnitz 176. „Aleph“ für 2 Klavire und 2 Pauken (27.9.2000/Stuttgart) ca.15 min. 8 Page 176-a. „Aleph“ für Klavier solo (26.9.2000/Stuttgart) ca.15 min. 176-b. „Aleph“ für Cembalo solo (30.10.03/Hilgenroth) ca.10 min. 177. Hpela für 4 Blockflöten (7.11.2000/Stuttgart) ca.12 min. % 177-a, Hpela für Flöte, Klarinet, Trrompete und Euphonium (Hilgenroth/9.1.2001) ca.12 min. % 177-b, Hpela für 4 Guitars (10.1.2001/ Hilgenroth) ca.12 min. 177-c, Hpela for Flute, Clarinet and Pianoforte (19.2.2001/Hilgenroth) ca.12 min. 177-d, Hpela for 4 Saxophones (28.10.01/Hilgenroth) ca.12 min. 177-e, Hpela for Clarinet, Alto saxophone, Bass Clarinet and Baritpone Saxophone (23.6.2003/Hilgenroth) ca.12 min. 178. Play Station V, for Orchestra (21.11.2000/Stuttgart) Duration: 9:00 Movements: 1 Instrumentation: w:3-3-3-3, b:4-3-3-1, timp + 3 perc, hp, pno, strings. Difficulty: easy. For full orchestra. 179. „Farben des Lichts nach Licht –Jetzt“ für gemischen Chor und Orgel (21.12.2000/Stuttgart) ca. 8 min. 179-a, „Farben des Lichts nach Licht –Jetzt“ für mähnlichen gemische Chor a cappella, ca. 8 min. 180. String Quartet VIII “Sempre Glissando con Sordino“ (18.1.2001/Hilgenroth, Hauptstr.17, D-57612) ca.10 min. % 180-a. Piano Quartet (1.2.2001/Hilgenroth) ca. 10 min. 180-b. Electronic Solo for Contraviolin solo (14.2.2001/Hilgenroth) ca.10 min. 180-c. Super solo for Violin solo (1.2.2001/Hilgenroth) ca.10 min. % 180-d. Super solo for Viola solo (17.2.2001/Hilgenroth) ca.10 min. 180-e. Sempre Glissando con Sordino for Trombone and String Quartet (19.2.2002/Hilgenroth) ca.10 min. 180-f. Piano Quintet (27.6.2002/Hilgenroth) ca. 10 min. 181. Der-Cid- Suite for Flöte, Geige, Trommeln und Klavier (21.3.2001/Hilgenroth) ca.20 min. % 181-a. Der- Cid- Suite for Flöte, Guitarre, Trommeln, und Klavier (29.3.2001/Hilgenroth) ca.20 min. 181-b. Der- Cid- Suite for Violin, Violincello und Klavier (29.3.2001/Hilgenroth) ca.20 min 181-c. Der- Cid- Suite for Altsaxophon in Es und Klavier (29.3.2001/Hilgenroth) ca.20 min 181-d. Der- Cid- Suite for Klarinette in B and Klavier (29.3.2001/Hilgenroth) ca.20 min % 181-e. Der- Cid- Suite for Flute, Viola and Harp(11.4.2001/Hilgenroth) ca.20 min. 181-f. Der- Cid- Suite for Flute, Violin, Viola and Piano (21.7.2001/Hilgenroth) ca. 20 min. 181-g. Der- Cid- Suite für Baritonesaxophone und Akkordeon (25.9.2001/Hilgenroth) ca.20 min. Publishing: Bundesakademie für musikalische Jugendausbildung, bak.trossingen@t-online.de 181-h. Suite for Violin, Drums and Piano (5.1.2002/Hilgenroth) ca.20 min. 181-i. Suite für Violine, Trommel und Klavier (14.3.2002/Hilgenroth) ca.20 min. % 181-j. Suite for Viola and Piano (3.7.2002/Hilgenroth) ca.20 min. 182. Mini-Fugati für 2 Zithern (16.4.2001/Hilgenroth) ca. 6 min. Zitherverlag in Köln-München 182-a. Mini-Fugati for 4 Contra basses (16.4.2001/Hilgenroth) ca. 6 min. 182-b. Mini-Fugati for 4 DoubleReed Instruments (28.5.2001/Hilgenroth) ca.6 min. 182-c. Mini-Fugati for 2 Clarinets, Alt saxophone and Baritone saxophone (23.6.03/Hilgenroth) ca. 6 min. 182-d. Mini-Fugati for 4 Saxophones (8.8.03/Hilgenroth) ca. 6 min. 182-e. Mini-Fugati for 2 Hackbrette (24.9.03/Hilgenroth) ca. 6 min. 183. Concerto Grosso VII for solo Violin, solo Guitar and Jazz Orchrstra (2.5.2001/Hilgenroth) ca.10 min.5Sx,4Tp,3Tb,Tba, Pf, Kb, Dr. 183-a. Semi-Concerto-Grosso II for Wind Orchestra with Percussion (29.5.2001/Hilgenroth) ca.10 min.(2222-0110-Per.00000) 183-b. Sub-Concerto-Grosso II for Jazz Orchestra „Jazz-Experiment“ (27.6.2001/Hilgenroth) ca.10 min. 101, 2Sx, 0-1010, Dr, Pf, Gt,Cb. 183-c. Dis-Concerto-Grosso for Jazz Orchestra „Jazz-Experiment“ (1.7.2001/Hilgenroth) ca.10 min. 5Sx, 4Tp, 3Tb, Dr, Vb, Pf, Gt, Cb. 183-d. Pro-Concerto-Grosso for 12 Musicians (26.12.2001/Hilgenroth) ca.10 min.2Fl, 2Cl, 2Kb, Ad, Pc, Gt, Bg, Vl, Vc. 183-e. Solo-Concerto-Grosso for Wind Orchestra with Percussion (28.12.2002/Hilgenroth) ca.10 min.(2222-0110-Per.Pf, 00000) 183. Etude for Tuba solo (19.5.2001) ca.3min. % 184-a. Etude for Trumpet solo (18.2.2002/Hilgenroth) ca. 3 min. 185. "My Father" for Soprano, Baritone and Orchestra (6.6.2001) ca.6 min.(2222-2000-Tp.-66442) 185-a. Pro-Kammersinfonie I for Orchestra, 2220-0200-0-66442 (8.10.2001/Hilgenroth, ca..6 min.) WP:September 18th 2002 in Uzbek State Conservatoire at 18:30 ocklok, in Tashkent, Uzbek-Natinal Philharmonie under Shigeru Kan-no, Uzbekistan, 700000, Tashkent, Gulomov kochasi, 69, Tel/Fax:00998-71-1330-867 The Union of Composer of Uzbekistan (Veranstalter) 186. Drei Liturgien ohne Wort für 2 Trompeten und 2 Posaunen (25.6.2001/Hilgenroth) ca. 5 min. Passau Kirchenmusik Preis, am 29. September 2002 in der Klosterkirche Aldersbach, ca. 30 km nordwestlich von Passau, Information: Bischöfliches Seelsorgeamt Passau, Referat Kirchenmusik, Domplatz 3, D-94032 Passau/Germany; E-mail:Kirchenmusik@bistum-passau.de, Internet:www.bistum-passau.de/seelsorgeamt 186-a. Drei Liturgien ohne Wort für 4 Flutes (3.7.2001/Hilgenroth) ca. 5min. 186-b. Drei Liturgien ohne Wort für 2 Euphoniums und 2 Tubas (4.7.2001/Hilgenroth) ca. 5min. 187. “Flageolett + Passacaglia = Blues???“ für Flügel solo (11.7.2001/Hilgenroth) ca. 5 min. Auftrag von Marcel Worms/Amsterdam; Interview and Recording at Deutschlandradio in Köln on 7th 3.2002, Sendung am 22.9.02 DLF um 15:05 Musikszene, UA: Am 7.Juni 2002 in Paris/ France, Goethe Institut in Paris ; Piano: Marcel Worms, Richard Holstraat 6, 1071 SM Amsterdam/Netherlands, tel./fax ++ 31 20 6767371, e-mail: mrworms@euronet.nl, http://www.euronet.nl/~mrworms, 2.Auffühlung: 27.Januar 03- Leipzig - Musikschule J.S.Bach: 7:30 pm NEUE BLUES AUS DEUTSCHLAND Marcel Worms – piano, 3.Aufführung: 28.Januar 03- Dresden - Kleine Szene: Anfang 8.00 pm in Dresden: Blues Program as Contenporary Music by Contenporary Composers; Piano: Marcel Worms, 4.Auffühlung: 29.Januar 03- Chemnitz - Neue Sächsische Gallerie: Bluesprogram - BlueNeue Sachsische Gellerie, 8:00 pm, by German composers Piano: Marcel Worms 187-a. „Flageolett + Passacaglia = Blues???“ for Soprano Saxophone, Cornetto, Accordion and Bass (27.9.2001/Hilgenroth) ca. 5 min % 187-b. „Flageolett + Passacaglia = Blues+Umai“ for Tenor, Horn, Piano and Double bass (15.2.2002/Hilgenroth) ca.5 min. 188. Orgelkonzert II für Orgel und Orchester (19.8.2001/Hilgenroth) ca. 12 min. (1111-1000.Pk.65441) 188-a. Sub-Kammersinfonie IV für Orchester (22.8.2001/Hilgenroth) ca..9 min.1111-3220-Timp,66442 % 188-b. Pro-Kammersinfonie II for Orchestra, (8.10.01/Hilgenroth) ca..9 min. 2220-0200-0-66441 WP:September 18th 2002 in Uzbek State Conservatoire at 18:30 ocklok, in Tashkent, Uzbek-Natinal Philharmonie under Shigeru Kan-no, Uzbekistan, 700000, Tashkent, Gulomov kochasi, 69, Tel/Fax:00998-71-1330-867 The Union of Composer of Uzbekistan (Veranstalter) 189. „Aicá Maragá" for mixed Choir a cappella (28.8.01/Hilgenroth) ca. 4 min. in spanischer Sprache % 189-a. „Psalm 46, 2-3“ for mixed choir, Trumpet and Organ (7.12.2001/Hilgenroth) ca. 5 min. in english language 190. Pedro Lezcano retrato de una Anciana" for mixed Choir and 10 instrumental Players(2.9.01/Hilgenroth) ca. 10 min.(2Bcl, 2Tpt,2Timp, 2 Vln, 2Vc.) in spanischer Sprache 191. "Engagement" for Baritone Saxophone and Accordion (3.10.01/Hilgenroth, ca. 7 min.) 2002 in De Ysbreker in Amsterdam/Holland, dinsdag 29 oktober, 20.30 uur Address: Weesperzijde 23, 1091 EC Amsterdam; tel:+ 31 (0)20-6681805; fax:+ 31 (0)20-6946607:De IJsbreker (The Icebreaker)/Veranstalter Gertie Bruin - accordeon en Niels Bijl - saxofoon Publishing: Bundesakademie für musikalische Jugendausbildung, bak.trossingen@t-online.de 192. "St Clemens-St Stephen-0 Dimention-Tone Police" for 12 Trumpets (3.11.2001/Hilgenroth) ca.4 min. 192-a. "St Clemens-St Stephen-0 Dimention-Tone Police" for 14 Brasswind (10.12.2001/Hilgenroth) ca. 4 min.(4Tp.4Hr.4Tb.Eup.Tba) 192-b. "St Clemens-St Stephen-0 Dimention-Tone Police" for 12 Horn (10.12.2001/Hilgenroth) ca. 4 min. % 192-c. "St Clemens-St Stephen-0 Dimention-Tone Police" for 2 Trumpet, 2 Trombone and 2 Timpanies (11.12.2001/Hilgenroth) ca. 4 min. 192-d. "St Clemens-St Stephen-0 Dimention-Tone Police" for 10 wood wind instruments (7.8.03/Hilgenroth) ca. 4 min. 192-e. "St Clemens-St Stephen-0 Dimention-Tone Police" for12 Saxophones (8.8.03/Hilgenroth) ca.4 min. 192-f. "St Clemens-St Stephen-0 Dimention-Tone Police" for 8 Brasswind (2.2.04/Hilgenroth) ca.4 min. 193. Kammerkonzert VI for 17 Players (25.11.2001/Hilgenroth) ca.12 min. 2020-2Sx-1211-0-Ak-20030 % 193-a. Pro-Kammerkonzert VI for 17 Players (26.11.2001/Hilgenroth) ca.12 min. 2022-1211-0-Ky-20021 194. Trial II "Knock and Glissando" for Guitar solo (28.11.2001/Hilgenroth) ca.6 min. % 194-a. "Knock and Glissando" for Clarinet and Guitar duo (9.2.03/Hilgenroth) ca. 6 min.WP.at 29th Nov.03 by Duo Ebcore in Portugal : Fernabdo Pernas. fpernas@hotmail WP.At 29 November 03 we "Duo Encore" interpreted "knock and glissando" in Portugal Fernando Pernas. fpernas2003@hotmail 195. "Techno-Opera" for 2 Klavire (20.12.2001/Hilgenroth) ca. 5 min. % 195-a. Anaki III „The Final Duel“ for Accordion and Piano (22.2.02/Hilgenroth) ca. 5 min. Publishing: Bundesakademie für musikalische Jugendausbildung, bak.trossingen@t-online.de 196. "Harmonie von A bis g" für Bass Stimme und Klavier (25.12.2001/Hilgenroth) ca.4 min. % 196-a. „Harmonie von A bis g“ für Countertenor Stimme und Holzschlagzeug (19.1.2002/Hilgenroth) ca 4 min. 196-b. „Harmonie von A bis g“ for Trombone and Piano (18.2.2002) ca.4min. 196-c. „Harmonie von A bis g“ for Trumpet and Piano (18.2.2002) ca.4min. 196-d. „Harmonie von A bis g“ for Tenor, Horn, Piano and Double bass (18.2.2002) ca.4 min. 196-e. „Harmonie von A bis g“ for Canto and Piano (24.6.03/Hilgenroth) ca.4 min. 196-f. „Harmonie von A bis g“ für Blockflöte, Tenorstimme, Flügel und Midi-Tape (4.2.04/Hilgenroth) ca. 4 min. 197. String Quartet IX "Molto Follemente" (22.1.2002/Hilgenroth: Revised Version 24.7.2002/ Hilgenroth) ca.15 min. 198. Eine babylonisches Essen II „Nationale Art“ für Akkordeon solo mit Zusatzinstrumente (3.3.2002/Hilgenroth) ca. 7 min. Publishing: Bundesakademie für musikalische Jugendausbildung, bak.trossingen@t-online.de 199. Die fünf Teile des Diamanten nach F.G.Lorca für gemischen Chor und 5 Instrumentalisten (15.4.2002/Hilgenroth) ca. 15 min.(Fl, Hr,.Pf. Sch.Kb.) 200. Doppelkonzert für Violine, Violoncello und kleines Orchestra (17.4.2002/Hilgenroth) ca.20 min.(1010-1100-Pf.P.-11111) 201. „Hogaku“ for 5 Japanese Instruments (6.7.2002/Hilgenroth) ca. 6 min. % 201-a. „Music from China“ for 5 Chinese Instruments (8.7.2002/Hilgenroth) ca. 6 min. 201-b.“ Hogaku-Hosoku“ for Flute, Clarinet, Percussion, Piano and Violincello (27.11.2002/Hilgenroth) ca. 6 min. 202. Die Hessische Volkslieder für gemischen Chor a cappella (28.8.2002/ Hilgenroth) ca. 5 min. mit deutschem Volks Text 203. „Luis Cobiella Pan“ for mixed Choir and String Quartet (3.9.2002/ Hilgenroth) ca 10 min mit spanischem Volks Text % 203-a. Sub-StringQuartet IV„Luis Cobiella Pan“ for String Quartet (17.01.03/ Hilgenroth) ca 10 min 203b. „Pater Noster“ for Baritone and String Quartet (15.11.03/Hilgenroth) ca. 10 min. 204. SIMULATION VI for Orchestra (25.9.2002/Hilgenroth) ca. 15 min. 4445-6541-4p, Pf, Hp, al meno 14-12-10-8-6 205. Trial III „Suppelmentary Food“ for Guitar solo with Addition (20.11.2002/Hilgenroth) ca. 7 min. % 205-a. „Suppelmentary Food“ for Clarinet and Guitar duo (10.2.03/Hilgenroth) ca. 7 min. 206. Trieb II for 12 Players (31.12.02, Hilgenroth) ca. 10 min. 2Cl, 3Sx. Hr, Tba, Ak, 2Vl, Vla, Vc. 206-a. Trieb II for 12 Players (20.9.03/Hilgenroth) ca. 10 min. Ob, 2 Cl, 2 Bs, Hr, Tba, Pf, 2 Vi, Vla, Vc. 207. „Leidenschaft“ für gemischen Chor (8.1.2003/Hilgenroth) ca. 9 min. Liturgiescher Text in deutscher Sprache 207-a. „Leidenschaft und Frieden“ für gemischen Chor und 3 Instrumente (29.10.03/Hilgenroth) ca. 10 min. Liturgiescher Text in deutscher Sprache 208. „Seehunde“ Musiktheater, Libretto by Todd Bash (29.1.2003/Hilgenroth) ca.23 min.1111-1110.2P,Pf.11111 208-a. „Seehunde“ Opera Lied for Canto and Piano (24.6.03/Hilgenroth) ca. 1 min. % 208-b. „Seehunde“ Opera Aria for Canto and Piano (24.6.03/Hilgenroth) ca. 5 min. 208-c. „Seehunde“ Opera Lied “ für Blockflöte, Tenorstimme, Flügel und Midi-Tape (3.2.04/Hilgenroth) ca. 6 min. 209. A Wonderful Experiment for 3 Viole (1.2.2003/Hilgenroth) ca. 9 min. 210. „Quaoar“ for Violin, Trombone and Organ (10.3.2003/Hilgenroth) ca. 8 min.UA Tokyo Solisten Dreieck Aufführende: Daishu Sugawara (Violine), Ryutaro Horie (Posaune), Hyeon-Yeong Kim (Orgel) Am 11. Oktober 2003, 19:30, St. Piuskirche(Veranstalter) in Köln/BRD http://www.st-pius.net/index.html Gottesweg 14, D-50969 Köln-Zollstok (Süd): Linie 12 210 -a. „Quaoar“ for Violin, Trombone, Piano and Violoncello (31.3.2003/Hilgenroth) ca. 8 min. 211. Mini Work VI “WOW!!!” for 3 Voices, Tenor Saxophone, Horn, Guitar, Cello and Double Bass (15.5.03/Hilgenroth) ca 1 min. 212. Millenium Soldier III “Hymnen Pinders” for mixed Choir and Orchestra (30.5.2002/Hilgenroth) ca 15 min. 2222-4231-3P-12-10-8-6-6 (Old Greek) 2nd Prize by Greek Olympic International Composition Competition 2004 213. “Improvisation” for Large Orchestra (7.8.03/Hilgenroth) 4444-84442-6P.Pf-with Cel, 4Hp, 20-18-14-12-10; ca.120 min. 214. „Inminencia Constante“ for a cappella mixed Choir (3.9.2003/Hilgenroth) ca. 5 min. Español 215. Trial IV “Sound-Sound” for Guitar solo (25.11.03/Hilgenroth) ca. 8 min. 216. Urban Dreams in a Town "Vision" for Saxophone, Percussion, Guitar and Keybord (10.12.03/Hilgenroth) 10 min. Commission by Fabrizio Festa 217. Trieb III for 14 Players (7.1.04/Hilgenroth) 2Cl, 3Sx, Hr, 2 Tp, Tb, Tba, 2 Vl, Vla, Vc. Ca. 11 min. Live-Electronic L-1 “NGC-Domaine“ für Posaune solo (18.1.2000/Stuttgart) ca.10 min. L-2 “Partita for Mission Impossible“ for Oboe solo (17.4.2000/Stuttgart) ca.7 min. Electric Music for Tape only, with Computer Program E-1. Musique Concrete for Strereo Analog Tape in 5 movements (1992) ca.12´30“ World Premire (5.11.95 Stuttgartum 20:00 Uhr) in Landesgirokasse, Veranstalter Künststiftung Baden-Württemberg E-2. Filmmusik ohne Titel I, 11 Buchsenstücke für einen Film (1992) 12´29“(0´18“, 1´39“,1´00“,1´17“, 0´43“, 0´27“, 4´58“, 0´14“, 0´25“, 0´32“, 0´56“) in 11 Sätze E-3. Filmmusik ohne Titel II, 3 Buchsenstücke für einen Film in 3 Sätze (1992) 17´54“ (8´59“,3´48“,5´07“) E-4. Filmmusik ohne Titel III, 3 Buchsenstücke für einen Film in 3 Sätze (1992) 20´10“ (3´58“,7´45“,9´17“) E-5. Filmmusik ohne Titel IV, 3 Buchsenstücke für einen Film in 3 Sätze (1992) 26´06“ (8´57“,9´05“,7´54“) E-6. Vormittagsspuck in 4 Sätze (1992) 39´21“ (8´55“,9´00“,9´02“,12´24“) Production von Filmacademie Baden-Württemberg GmbH E-7. A Sunny Honey: Picture Show für Claudine (1992) 3´34“ Production von Claudia Sindler E-8. Tänzerin (1993) 3´31“ Production von Japanischem Film/Masahiro Shinoda E-9. Hohe Dichte Variation in 5 Sätze für Atari Digital-Computer mit Cubaseprogramm 3.0 (1993) ca.9´09“ E-10.12 Experimente als Musiktheorie für Macintosh Digital-Computer Cubase (1993) ca.45´ Bearbeitungen/Ａｒｒａｎｇｅｍｅｎｔｓ B-1. Aus Atto Secondo “La Bohéme” von G. Puccini für Blassorchester, Feb.1987, Wien) ca.5 min. Auftragswerk und Veranstalter: Brasskapelleverein in Kyushu B-2. Aus “Cinderella goes to the Ball” aus Cinderella von S.Prokofiev für Brasskapelle, Okt.1988, Wien) Auftragswerk und Veranstalter: Brasskapelleverein in Kyushu; ca.3 min. B-3. Das Elternhaus für Chor mit Klavierbegleitung (Herbst in 1992, Stuttgart/Gablenburg) ca.4 min. Auftragswerk und Veranstalter des SKG-Chor Gablenburg:Erstaufführung, Weihnachten 1992 B-4. Schuberts Klavier Sonate Nr.16, 1.Satz a-moll D-845/Op.42 Bei WVE-105/Zender;16.6.95 B-5. Romance in C-major von Jean Sibelius, Op.42 for Violin and Pianoforte (18.8.99/Stuttgart)ca.7 min. B-6. Andante Festivo in G-major von Jean Sibelius for 6 Players (1992);19.8.99/Stuttgart ca.7 Min. B-7. Langsamer Satz von Anton Webern(1905) für Flöte, Gitarre und Klavier (20.8.99/Stuttgart) ca.5 Min. B-8. Christus factus est (Graduale) von Anton Bruckner für Posaunenchor (2.10.01/Hilgenroth) ca. 4 min. UA. 18.04.03: Karfreitag um 9:30 Uhr, Kirche in Puderbach: Veranstalter/ Kirchen Gemeinde Puderbach B-9. Os justi (Graduale) von Anton Bruckner für Posaunenchor (14.10.01/Hilgenroth) ca. 5 min. B-10. Virga Jesse floruit (Graduale) von Anton Bruckner für Posaunenchor (15.10.01/Hilgenroth) ca. 5 min. UA. 22.12.02: Weihnachtskonzert in Puderbach Kirche um 17:00 Uhr: Veranstalter/ Kirchen Gemeinde Puderbach B-11. „Weißt du, wo der Himmel ist“ for Posaunenchor (B-79, 28.5.03/Hilgenroth) ca.2 min. UA 29.5.03 um 15 Uhr in Himmelfahrt, Waldgottesdienst in Bauscheid: Veranstalter/ Kirchen Gemeinde Puderbach B-12. „Das Wünsch ich sehr“ für Posaunenchor (2.10.03, Hilgenroth) ca. 2 min. Original Unbekannte, UA am 12.10.03 in Kindergarten in Steinmel BRD um 10:30 Uhr, Veranstalter Kindergarten Stenmel und Kirchengemainde Puderbach und Oberdresis mit Posaunenchöre Puderbach und Oberdresis B-13. „Segne uns mit der Weite des Himmels“ für Posaunenchor (2.10.03, Hilgenroth) ca. 3 min. Original Unbekannte, UA am 12.10.03 in Kindergarten in Steinmel BRDum 10:30 Uhr, Veranstalter Kindergarten Stenmel und Kirchengemainde Puderbach und Oberdresis mit Posaunenchöre Puderbach und Oberdresis B-14. „Komm, bau ein Haus“ für Posaunenchor (2.10.03, Hilgenroth) ca. 4 min. Original Unbekannte, UA am 12.10.03 in Kindergarten in Steinmel BRD um 10:30 Uhr, Veranstalter Kindergarten Stenmel und Kirchengemainde Puderbach und Oberdresis mit Posaunenchöre Puderbach und Oberdresis B-15. „White Christmas“ for Soprano, Flute, Clarinet, Trumpet, mixed Choir and Piano (30.11.2003/Hilgenroth) ca. 3 min. Comission by Japanese Embassy in Berlin WP. on 18.12.03 at/ Japanese Embassy in Berlin/ Germany, Leader Mayumi Sakamoto, Original: Irving Berlin B-16. “Santa Claus is Comin to Town” by Coops for Mixed Choir and Piano (1.12.2003/ Hilgenroth) ca. 2 min. Comission by Japanese Embassy in Berlin WP. on 18.12.03 at/ Japanese Embassy in Berlin/ Germany, Leader Mayumi Sakamoto B-17. “Stille Nacht, heilige Nacht” by Gruber für gemischen Chor und Klavier (2.12.2003/ Hilgenroth) ca. 2 min. Comission by Japanese Embassy in Berlin WP. on 18.12.03 at/ Japanese Embassy in Berlin/ Germany, Leader Mayumi Sakamoto B-18. “Zion hört die Wächter singen” aus BWV-140 by J.S. Bach für Canto, Trompete und Klavier (24.2.04/Hilgenroth) ca. 4 min.
I introduce me as a conductor for choir and orchestra. I have studied and worked since very long music inFukushima, Tokyo, Wien, Stuttgart, Ludwigsburg and Frankfurt: composition, conducting, and musicilogy. I was music director in Theater Tredichin Stuttgart. Further you can find all necessary informations as to my musical life, my education and professional carrer in the enclosed writing. I have not only already Japanese Citizenship but also EU Citizenship. Except my musical activity , please do you allow me, especially attentive to do for it, that I have so many actitivities in Japan (CD-DVD-Project/Sponsoren/Patron /Japan-Tournée-Finanz) and Europa, and I am available directly on the territory about very good connection in foreign country verfügte, which I can do for your enterprise very usefully. I have the thorough knowledges and experiences on the scope: -General Opera-Repertoire ca. over 100 (especially Monteverdi untill Lachenmann) Conducted already: Serail, Figaro, Così fan tutte, Don Giovanni, Zauberflöte, Fidelio, Babier, Trovatore, Rigoretto, Traviata, Maschera, Othello, Falstaff, Holländer, Tristan, Rheingold, Siegfried, Parsifal, Carmen, Bohème, Tosca, Butterfly and Turandot in original language in Fukushima, Tokyo National Theater and Germany. -General ca. 500 Concert and Ballet Repertoire (Moatly from Barok through 1st- and 2nd Vienna school, New York School,Polnish School, 1st and 2nd Darmstädter School untill Shostakovitch):Beethoven, Schubert, Mendelssohn, Schumann, Thaikovski, Brahms, Bruckner, Dvorak, Mahler, Bartok, Liszt, Stravinski, Dubussy, Ravel, Strauss, Sibelius, Schoenberg, Berg, Webern, Copland, Varése, etc.) -Specially New Music territory (incl.Avangard- and Darmstadt school): Stockhausen, Nono, Boulez, Lachenmann, Ferneyhough, Scelsi, Cage, Ligeti, Berio, Xenakis, Hölszky, Zimmermann, Holliger, Varese, Zender, Lutoslawski, Penderecki, Gorecki, Huber, Messiaen, Crumb, Schnebel, Globokar, Feldman, Baird, Ustvolskaya, etc.:Japanese composers: Matsushita, Ito, Shimazu, Koyama, Irino, Mayuzumi, Mamiya, Matsumura, Hirose, Moroi, Miyoshi, Ichiyanaghi, Ishii, Nishimura, Toda, Takemitsu, Shimizu, Yuasa Yun, etc. -Sacred Music, Popular Music, Theater Music, Film and Industrial Music with also elektronic to combine. -MusicalDramaturgie and Musical Critik and Education: Piano teacher with international prize winners. (Italia,Tschecho,Spain,etc) -Score Reading-untill Stravinsky, R.Strauss, Debussy and Ravel -General Bass and Improvisation with Piano, Organ, Violin, Cello, Percussion and Leier -Conducting Prizes in Pontarlier/France and in Tokyo/New Music -As Private Piano Teacher for Student of International Piano Competition: (Italia: Roma-Santa Cecilia 1.Priz and Senigàllia- 4.Preis, in España: Andora-3.Priz, in Tschecho: Praha-2.Priz and variable Special Prizes) Please can you open the mz Inter-net for more informationwith picture and inform to me with my private telephon number or written, if I may introduce to you further, so that you can obtain personal impression by me, and thank you very much, that I maid written for you. Yours Sincerely enclosure curriculumvitae Shigeru Kan-no
Repertoire as a conductor: I. ca. 100 Opera-Repertoire (German, Italian, French, Russian: Original Language) Herzog, Fidelio, Wozzeck, Lulu, Carmen, L´Elisir d´Amore, Pelleas et Melisande, Le martyre de Saint Sébastien (Original Version), Neither, Tauride, Bremerfreiheit, Hänsel, Das Mädchen mit den Schwefelhölzern, Le Grand Macable, Pagliacci, Cavalleria, Undine, Loreley, Saint François d´Assise, Bastien, Entführung, Figaro, Don Giovanni, Der Schauspieldirektor, Così, Zauberflöte, Idomeneo, Boris Godunov, Chovanschtschina, Windor, Intolleranza, Hoffmanns Erzährungen, Carmina Burana, De Temporum Fine Comedia, La Serva Padrona, Snow Maiden, The Tale of Tsar Saltan, Barbier, Evgeny Onegin(Prokoviev), Manon Lescaut, Bohème, Tosca, Butterfly, Fanciulla, Tabarro, Angelica, Schicchi, Turandot, L´Heure Espagnole, L´Enfant et les Sortilèges, Von Heute auf Morgen, Moses und Aaron, Katerina Izmailova, Cheryomuski-Moscow, The Gamblers, The Great Lichtning, Fledermaus, Elektra, Rosenkavalier, Ariadne, Friedenstag, Die Frau ohne Scatten, Die Schweigesame Frau, Arabella, Die Ägiptische Helena, Die Liebe der Damae, Erwartung, Die glückliche Hand, Le Rossinol, Oedipus Rex, Renard, Mavra, L´histoire du Soldat, Rigoletto, Trovatore, Travoata, Maschera, Simon Boccanegra, Don Carlo, Aida, Othello, Falstaff, Laforza del Destino, Rienzi, Holländer, Tannhäuser, Lohengrin, Rheingold, Walküre, Tristan, Meistersinger, Siegfried, Götterdämerung, Parsifal, Abu Hassan, Freischütz, Oberon, Preciosa, Soldaten II. 23 Ballet Repertoire Der holzgeschnitte Prinz, Der wunderbare Mandarin, Daphnis et Cloe, Bolero, MaMère l´oye, La valse, L´oiseau du feu, Le sacre du Printemps, Petruschka, Histoire du Soldat, Pulcinella, Les Noces, Kartenspiel, Agon, The Marriage, Swan Lake, Dornröschen, Nussknacker, Roi Ubu, Gayaneh, The Golden Age, The Bolt, The Limpid Stream III. 500 Orchestra Music, Orchestra with Chorus and Instrumental Concert (Completed Symphonies and Concerti (memorize):From Bach untill Schostakovitsch/Yun) IV. Ca. 50 Church Music:Cantata, Missa, Oratorio, Requiem, Passion Motetto, etc. V. Contemporary Music: 1st and 2nd Wiener School untill 1st-2nd-3rd Darmstadt-Donaueschingen School, New York School, Post Serielisum, Spectrum School in Paris, Polnish School, Freiburger School, etc.
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| Name:
| Anna C Kasket
| | Skills:
| Accompanist, Arranger, Conductor, Publisher, Singer, Teacher, Typesetter (Music typesetting using Finale 2000)
| | Phone:
| +44 1223 840168
| | Address:
| 8 Grantchester Road, Trumpington, Cambridge CB2 2LH, United Kingdom
| | Links:
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| | Anna Kasket was educated at the North London Collegiate School. She went on to Lincoln College, Oxford, where she was awarded a top First Class degree in English Language and Literature. She took piano, organ, oboe and harmony at the Royal Academy of Music in London, and harpsichord lessons with Robert Woolley. She studied ballet and European traditional dance as a pupil of the Stella Mann School of Dancing, also in London.
After Oxford, Anna was awarded a De Lancey Scholarship by Trinity College, Cambridge, for postgraduate research in English and Continental music and theatre of the 17th century. Her research extended to Jesuit college music-theatre; Roman Catholic poetry of apotheosis; obscure and forgotten music-dramas of the London stage; and musical 'dialogues' of the seventeenth century, amongst other literary, philosophical, visual and musical phenomena
While at Oxford University, Anna acted for OUDS (the Oxford University Dramatic Society), and directed Christopher Marlowe's Dido, Queen of Carthage, at the Oxford Union. She sang in Lincoln College Chapel Choir; and took part in chamber music sessions as a pianist, as well as giving a solo piano recital. At Cambridge University, Anna choreographed Purcell's Dido and Aeneas at Peterhouse Theatre, Handel's Acis and Galatea- at the ADC Theatre, and Gluck's Orfeo - at the Arts Theatre. She directed Holst's Savitri -and performed in The Soldier's Tale (dancing The Princess) for Cambridge University Opera Society (CUOS).- Other performances include Gilbert and Sullivan's Trial By Jury for St. Catharine's College, and a solo vocal recital. Anna was a member of St. Catharine's College Chapel Choir and toured with them to the Cathedrals of France, and to Switzerland, Italy and Holland. After leaving Cambridge, she sang The Sorceress in, and directed Dido and Aeneas for the National Art Collections Fund, at Longstowe Hall, Cambridgeshire; and then went on to sing and act with national companies such as Opera 80, Théâtre de Complicité and the Trestle Theatre Company, with whom she toured extensively in Britain, and performed in Sicily and Australia.
Recently, Anna Kasket has been the director of a madrigal group in Grantchester; performed in Cambridge as a viol player; and she was the permanent accompanist for the King's College School Parents' Choir until the birth of her daughter Gloria in January, 2000. Similarly on hold for a period of maternity leave is Anna's participation in concerts by the vocal group Quintessence, which she founded in 1999, primarily to sing four- five- and six-part music of the 16th, 17th and 18th centuries. The group gave its inaugural concert at the Fitzwilliam Museum, Cambridge. A 'Finale' user for many years, Anna Kasket founded Lancelot Unlimited Music Typesetting (named in memory of her black cat, Lancelot) in 1998, with an academic commission from Professor John Stevens of Cambridge University, who has written Music and Poetry in the Early Tudor Court and Words and Music in the Middle Ages. It is an edition of 'The Earliest English Song-Book' ~ Cambridge University Library MS. Ff.i.17 ~ and is due to be published by Oxford University Press.
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