Vosbein has received performances at music festivals throughout the United States and Canada. During 1998 and 1999 he was awarded summer residencies at La Cité Internationale des Arts in Paris, where he composed a concerto for violin and orchestra one year and a sonata for solo piano the next. In the fall of 2001 he was awarded a fellowship at University College in Oxford, to compose a concerto for cello and orchestra.

Since January of 1996 Vosbein has been teaching music composition and jazz studies at Washington and Lee University. He received his Doctorate in composition from the Cleveland Institute of Music, where he was a student of Donald Erb, and where he taught in the theory and composition departments.

In addition to his activities as a composer and orchestral/chamber music bassist as well as soloist, Mr. Waddle now has an active career as a conductor. After a number of Guest Conducting Appearances (most notably at the Julliard School in Lincoln Center in Feb. of 1998) he was named Music Director of the Austin Philharmonic as of the 1999-2000 season. He has been Principal Guest Conductor of The Contemporary Orchestra Of Cleveland since 1997.

Did not compose in any meaningful way from 20 years of age to 48 years of age. Since have produced numerous works ranging from Solo instrumental works to works for Full Orchestre, Choir, soloist. .. .. .. .. ..

Barely a year had passed when Waller gained the attention of the Conductor and Music Director of a significant metropolitan orchestra, who expressed that in his 30 years on the podium, and in the classroom, he had never before encountered such native talent in someone who was self-taught. He subsequently encouraged Waller to enroll in a degree program. He was immediately placed in the Music Department's final semester courses.  Soon after, the maestro invited him to become his sole private pupil, gratis, and hired him as Conductor's Assistant with the symphony. A solid friendship quickly grew between the maestro and his pupil, based on mutual esteem and a deep love of music, and Waller found himself taken into the warmth of his mentor's family. "My mentor was a genius, and that's a word I don't toss around because it is so over-used nowadays. Through his integrity, his passionate devotion to music and his selfless, sensitive guidance of my musical evolution, I acquired more education than I could at any university. He taught me more than music as a textbook subject -- he taught me about life, music as life, art as life, and myself as an artist. He took what I instinctively knew and gave it a name. I'm reminded of the scene in "The Miracle Worker" when Annie Sullivan finally teaches Helen Keller the word for 'water'. It is not an overstatement for me to say, that is what my mentor did for me, only with music."

Waller's music, which centers on harmony and classical symmetry, is made up of memorable melodies and playful themes  drawn from the vitality and simplicity of folk music. His slow movements are tender, sometimes plaintive and full of longing, while his faster movements are almost childlike, though never boisterous.  More somber moments evoke deep, mystical feelings and, although one can sense his affinity with the Classical era, one may also hear the sustained chords, pedal tones, and progressions he assimilated through the Rock and Folk music of the Sixties and Seventies. "The Beatles, Donovan, Joni Mitchell, the Electric Light Orchestra, the Alan Parsons Project, and Rick Wakeman all influenced me. My path as a musician has been a steady, straightforward climb from the music of my youth to what I am composing today. Some have teasingly called me a mystic, but I believe that to be an artist in any medium one must be at least part mystic, or magician, or alchemist, or something, because we create sense, order, and beauty from a sea of chaos. I live with one foot in one world and one foot in quite another. I'm not always sure which is the most solid and I think this shows in my music."

His television drama work includes 'Proof' - the gripping 4 x 1 hr crime drama series which to date has broadcast in more than one hundred countries worldwide, 'Rebellion'- the 3 x 1 hr series which tells the story of the 1798 Irish Rebellion and the BAFTA award winning BBC TV series 'Custer's Last Standup'. He has scored numerous Short Films including the awarding winning 'Prey Alone' and 'Venom'.

Megan is at ease in the studio, and is proficient at both reading music and improvising parts or arrangements. She has recorded for record companies such as RCA and Virgin, as well as assorted Indie labels such as Flat Earth and Secretly Canadian.

I have written and recorded 3 albums, the latest being SHOCKHAZARD. This is available in mp3 format via napster.

It is this passion, coupled with a strong philosophy for the international language of music, that has seen John Hywel Williams drive the development of numerous choirs and choral initiatives and pioneer the export of Welsh choral singing around the world with countless national and international performances at world leading concert halls and a stream of radio and television broadcasts and recordings.

Graduating from the University of Wales with qualifications from the Royal Academy of Music, The London College of Music and the Trinity College London, John Hywel Williams led the field by taking the very first British choir behind the Iron Curtain of Eastern Europe in the early years of the Cold War and the first British choir to undertake a concert tour of Moscow – receiving national media attention on his choral adventures.

Andrew Wilson's compositions have enjoyed considerable success wherever they have been played. They span all forms of chamber, orchestral and vocal music. He particularly enjoys fulfilling commissions for particular artists: such as "Trio Camerata" for whom his "Divertimento" was written and the Ten Tors Orchestra who commissioned "Drake's Drum" for Chorus, soprano and Orchestra.

Notable musicians who have included works by Andrew Wilson in their repertoires include Ian Mitchell (the Clarinet Sonata) and Rachael Ager (the Oboe Sonata).

I own and operate my own publishing company for the music for children that I write. The company is called Progressive Measures. I publicize my musicals throughout Canada, Great Britain and Australia. I have written 14 musicals and 2 song collections for children.

All of my original music is composed and recorded from computer. The product includes a CD which has every song recorded twice, once with vocals for rehearsal and once with no vocals for performance.

Mr. Wright gained international attention when he won the 24th Frinna Awerbuch International Piano Competition in New York City, which led to his debut at Carnegie's Weill Recital Hall. His international reputation was further enhanced when he was eliminated from the finals of the 2000 Sydney International Piano Competition of Australia.

The decision of the jury precipitated mass protests from listeners who followed the competition via national radio broadcast and worldwide web cast. In response to this unprecedented outpouring of support, the ABC, the competition's principal sponsor, marketed a debut recording of Wright's performances at the competition. His recording of Between Five Bells from this CD earned composer Peter Sculthorpe the Australian Performing Rights Association's (APRA) Award for the Most Performed Contemporary Classical Composition of 2001. From Australia, he returned to North America where he was a finalist at the 3rd Esther Honens International Piano Competition in Canada and the Audience Favorite at the 2001 Van Cliburn International Piano Competition in Fort Worth. Most recently, he won the gold medal at the San Antonio International Piano Competition and the awards for Best Performance of the Commissioned Piece and Best Performance of a Romantic Work.

From 2004 until now I have composed the music for perfomances,fairytales,movies and soundtracks.