Other notable appearances have included Haydn’s Creation using Ann Hunter’s recently discovered libretto, the first performance in modern times of Zelenka’s Requiem, both at the St Ceciliatide International Festival, Mozart’s Mass in C minor and Bach’s Christmas Oratorio in Finland’s Turku Cathedral. She has also sung solo Bach Cantatas in the Madrid Early Music Festival, Vaughan Williams’ Sea Symphony, Tippett’s A Child of Our Time and Weber’s rarely performed Mass in Eb. She recently took part with James Bowman and Jakob Lindberg in a highly successful re-creation of an Elizabethan Masque in the Queen Elizabeth Hall. In May 2001 she gave the first performances of Handel's Gloria in excelsis Deo which was found in the Royal Academy archives in March 2001. With ‘cellist Jenny Ward Clarke and harpsichordist Laurence Cummings Miss Kwella has also given many shared recitals of 17th and 18th century music.

Between 2001 and 2003, Genevieve was the Artistic Director of the Melbourne Autumn Music Festival - Australia's longest-running early-music festival. In 2001, she was awarded the inaugural Music Council of Australia/Freedman Fellowship in Classical Music, a fellowship awarded to young Australian musicians of superb achievement to assist in building an international career.

Abhisek has performed in almost all the major music conferences of India and abroad.He is also been honoured with the Jadubhatta Purashkar from the Salt Lake Music association.He is a regular performer in All India Radio and Television.

At the age of 5 I started piano lessons with my teacher, Leah Agmon. I also started playing the violin at that time. At 6 I started to learn composition. When I was 7 I discovered jazz. I was nearly 8 when I began to study jazz with J.C. Jones, and played my first jazz session on my 8th birthday.

He is the recipient of the 1st Prize Award in Piano Performance, the 1st Prize in Composition and the Classical Music Education Initiative Award. He has recorded more than 20 CDs with Classical, Film and Electronic Music. He is a member of AMS, DMO, EPTA, HeJMEC, IAC, ISPCI, ISPME, MPG, NAfME and NEMA

In May 2002, Jean-François Latour completed the prestigious Artist Diploma program at the Peabody Conservatory of Music, where he was a full scholarship student of Leon Fleisher. He was the only student admitted into this program, in any discipline, in the year 2000. He previously earned a Graduate Performance Diploma also at Peabody. In addition, he has an Artist Diploma from the Royal Conservatory of Music in Toronto, where he was a student of Marc Durand and Leon Fleisher. He earned his M.M. and B.M. at the University of Montréal, where he studied with Marc Durand. Mr. Latour has also worked with John Perry, André Laplante, Ellen Mack, Marek Jablonsky and Gilbert Kalish.

Susan made her Wigmore Hall recital debut (recorded by the BBC) in 1995 and has given recitals at the South Bank, St. John's, Smith Square and the Purcell Room. Her new CD of Lutoslawski chamber music on the ASV label with pianist Ann Martin-Davis has met with critical acclaim.

Dr. Lochrie performed with the West Virginia, Fort Wayne, and Columbus Symphonies, before becoming a core member of the Nashville Symphony in 1992. A Nashville session player, he is also a performer in several Nashville chamber series' and is an active solo recitalist on clarinet and bass clarinet. He has been a member of the New Lancaster Festival Orchestra since 1988 and the Corsi Internazionali Di Musica summer festival in Urbino, Italy since 1994. In addition to his academic and performance interests, he is active as a composer and arranger. Dr. Lochrie appears as clarinetist/bass clarinetist on a CRI compact disc of works by Donald Harris, For the Night to Wear, and on the Stones River Chamber Players Music for a Farce.

Available for playing, teaching and Conducting. All musical challenges welcomed.

Ms. Long has played recitals in Central America, Southeast Asia, Belgium, France, Switzerland, and the United States and appeared in important festivals, such as the Ravinia Festival, Fontainebleau and Chateau de Lourmarin. She has appeared as a soloist with the Orquesta Sinfonia de Mexico with Enrique Batiz conducting, the Baltimore Symphony Orchestra, National Symphony Orchestra of Taiwan, Taipei Symphony Orchestra, Prince George Philharmonic in Washington, D.C., Southshore Symphony of New York, Santa Barbara Summer Festival Orchestra, and the Curtis and Cleveland Institute Symphony Orchestras. She was invited to perform with orchestra at the President's Palace in Taiwan. Her teachers include Mieczyslaw Horszowski, Leon Fleisher, Seymour Lipkin , Fou Ts'ong, and Enrique Graf. She is also an active chamber musician and a master-teacher.

June 23rd, 1997, Enrico Colombo, La Regione Ticino (Lugano) Igor Longato inaugurated the 20th Ceresio Estate festival with a lovely recital dedicated to 4 great Romantic composers. The differences in the technical difficulties of the 15 pieces were disguised by Longato's confidence and freedom of interpretation, along with a rigorous respect of the written music. The elegance of the rubato and the exquisite changes in tempo in the pieces by Chopin, the rhythmic imperiousness of the toccata by Schumann, the epic character of Brahms' rhapsody, all of these must be called upon to describe the excellent performance given by Longato. The warm applauses that filled the hall were, needless to say, very well-deserved. June 23rd, 1997, Armando Libotte, La Rivista di Lugano "Ceresio Estate" could not have started on a better note: Igor Longato presented a program dedicated to the great Romantics. This impressive and distinctive pianist lent himself with olympic serenity to the fancy of the composers, (Schumann-toccata, Brahms-rhapsody op. 119, etc.) playing for over two hours. November 23rd, 1998, The Republican American, Waterbury (Connecticut) The guest pianist Igor Longato received the enthusiastic applause of the audience that filled the Naugatuck Valley Community Hall. Longato played Mozart's concert KV 467, earning ovations that brought him back onto the stage several times. The concert, with its very technically intricate first movement and its more simple and expressive second movement, was a splendid performance. Longato took on the exuberant melodies of the first and third movements with the same delicate simplicity that he applied in the slower and more thoughtful second movement. The concert changes character several times throughout the different movements, going from playful to reflective, but Longato keeps the pace by constantly adjusting his pianism to the changing spirit of the composition. January 15th 1999, La Rivista di Lugano, Lugano A brilliant Igor Longato thrills the Campione Lions. The pianist starred in a benefit concert entirely dedicated to Chopin. The excellent execution of every single piece was clearly fruit of solid technical and interpretative maturity and ended with the irresistible surge of octaves of the Polacca op.53 also by Chopin. February 15th 1999, La Provincia, Sondrio (Italy) Longato's performance of Beethoven's Appassionata seems to be anchored in tradition, but in fact his is a very precise and profound interpretation... in the execution of the Pictures of an Exhibition he created enchanting atmospheres and a structured sounds that showed great intuition... Gnomus' finale and the solid octaves of the Great Door of Kiev are all passaggi da manuale... The execution of Chopin's Walzer was enthralling. February 15th 1999, Il Giorno, Sondrio Igor Longato fascinates the "Torelli" theatre... He brings to light, as never before, the importance of the piano as an expressive instrument... Pianist and piano become almost a single unity... Igor Longato gave the "Pictures" a close reading of the original text; its sharpnesses and certain shrillnesses wanted by Mussorgsky were rendered with impeccable mastery.

Recently she earned her degree from the University of New Mexico and presnetly studies with jazz virtuoso Eddie Daniels. In addition to performing, she teaches privately and is a woodwind instructor for the Albuquerque Youth Symphony Program.

Teach students of all ages and levels.

Mr. Makhal has had many opportunities and exclusive offers to leave Oxford Mission School and Calcutta to pursue a more glamorous life in aboard, but he found his peace and glory only in teaching children and enriching their life with music at The City of Joy.

Michael has begun his professional career at his teen-age and has performed at almost all the major cities of India. He is currently working for many renowned music directors of South India and as well as for the development of Western Classical Music at Hyderabad and other places of India. Michael is presently at his youth but have come a long way, he had the privilege to share the stage with World Famous Musicians like Yoshikazu Fukumura, Hikotaro Yazaki, Tatsunobu Goto, Dr. Paul Carlson, Frederic Ligier, Frederic Poilvet, Ms. Aude Priya Wacziarg, Jasmin Martorell, Philippe Desandre, Jean-noel Cabrol and many more including Indian Music Maestros like Music Director ‘M.M.Keeravani’, Mandolin ‘Srinivas’ and Flutist ‘Nagaraju’ etc. One of Michael’s noted performances was, representing India through Delhi Symphony Orchestra at Japan (Tokyo), during an International event called Asia Orchestra Week, on the prestigious stage of ‘Tokyo Opera City Concert Hall’.