Reagrding the Sor CD American Record Guide has written: “superb Italian guitarist Eros Roselli is a first-rate musician and he offers probing interpretations of even the most unassuming miniatures, employing his supple sense of phrasing, pristine articulation, and full tone to remarkably satisfying effect”.

His exceptionally broad repertoire (including more than 35 cello concertos) ranges from the Baroque to contemporary works, containing the main standard repertoire together with a particular interest in rarely played works of the 19th and 20th centuries and the cross-over to Jazz and Popular Music. Another important part of his work is the collaboration with composers, which so far has resulted in ca 20 premieres, amongst them Graham Whettam's Solo Cello Sonata (1993) and the Cello Concertos by Helmut Rogl (1994), Helmut Schmidinger (1994) and Graham Whettam (2000). Martin Rummel has also played many national first performances, e.g. Sofia Gubaidulina's "In Croce" (China 1999), Morton Feldman's Piano Trio (Italy 2000) and Howard Blake's "Diversions" (Germany 1993 and Austria 1997). During the last few years, he has played in Düsseldorf Tonhalle, Vienna Konzerthaus, the Krannert Center in Urbana, at the "Carinthischer Sommer", the "Varna Summer" and "La Biennale di Venezia".

Chamber music with distinguished partners such as pianists Yuri Boukoff, Paul Gulda and Ian Hobson, violinists Dénes Zsigmondy and Nora Chastain, clarinetist Eduard Brunner or the Anton Bruckner Quartett is also a major part of his concert activities. Since 2000, he has been artistic director of the festival "kammerMUSIK" in Wilhering, Austria.

Andrea is half of the Operatic duo Double Divas and also works with Opera Bites who stage fully costumed chamber operas in the UK and abroad.

Jonathan made his concerto debut in 2002, playing the Weber Concertino with the Cambridge Youth Orchestra and since then has gone on to play as soloist with the London Mozart Players and the York Sinfonietta. A highlight of his concerto career came at the Dartington International Festival when, at less than 24 hours notice, he stepped in for Alan Hacker to play the Mozart Clarinet Concerto (on Hacker’s basset clarinet) with the Dartington Festival Orchestra under conductor Diego Masson. As a recitalist and ensemble musician, Jonathan has performed at the Dartington International Festival, the York Spring Festival, the Ergodos Festival the Late Music Festival (in which he was the soloist/director in a rare ‘all live’ performance of Steve Reich’s New York Counterpoint), the 2007 International Conference on Music Since 1900, the York Microtonal Fayre and the University of York Concert Series. He has played with groups including the Chimera Ensemble and Matrix, working with musicians such as Jane Manning, Stephen De Pledge and Matthew Hunt, and is a member of the Jorvik contemporary music group. As an orchestral musician, Jonathan has played with many orchestras including the New Mozart Orchestra, the York Guildhall Orchestra and the Scarborough Symphony Orchestra.

Jonathan also has a passion for contemporary music and in November 2008 embarked on his first solo tour to Ireland performing works by Stockhausen, Carter, Sweeney and Garrett Sholdice, as well as two new works from composers Alex Harker and Jonathan Nangle, commissioned with funding from the Irish Arts Council.

Jenny has sung with ENO in The John’s Passion, at the Spoleto Festival, Italy in Der Rosenkavalier conducted by Richard Hickox, with Pavilion Opera as Zerlina in Don Giovanni and Adalgisa in Norma and with European Chamber Opera as Third Lady/Third Boy in The Magic Flute and as Kate Pinkerton in Madama Butterfly. She has also sung with Carl Rosa Opera in their productions of The Mikado, Die Fledermaus, Iolanthe and The Pirates of Penzance. Other operatic roles include Hansel in Hansel and Gretel, the title role in Handel's Radamisto, Mrs Page in The Merry Wives of Windsor, White Cat in L'Enfant et les Sortileges, Miss Baggott in Britten's The Little Sweep and Pitti-sing in The Mikado.

Oratorio solos include Messiah, Christmas Oratorio, Mozart's Requiem, Vivaldi's Gloria, Haydn's Harmony Mass and Purcell's Hail! Bright Cecilia.

Alphose Sauer was teaching at the conservatory of Santander/Spain, at the Kunitachi University Tokyo/Japan and at the University of Music in Vienna/Austria

Recitals in Europe, Asia, South-Africa

In 1995, having had professional voice training since the age of 11, Russell joined The London Philharmonic Choir where he has performed many of the large-scale choral works including Verdi's Requiem, Aida, Gershwin's Porgy & Bess and Beethoven's "Choral" Symphony. In a 1998 Chandos recording of music by Sir Thomas Armstrong, Russell was one of a small group of singers chosen to premiere several part-songs on disc. During 1996 - 1997, Russell sang regularly with the Exmoor Singers, performing works including Bach's St. John Passion and many chamber works from composers including Tippett, Rachmaninov, Tavener and Finzi. Exmoor Singers were semi-finalists in the 1996 Choir Of The Year competition.

In 1997, Russell performed as a soloist with the Avanti Chamber Orchestra as part of the Royal Festival Hall's Meltdown Festival. At the 1997 and 1998 Resolution Festival, London's biggest open platform for dance companies, Russell was one of the soloists performing works by Tavener, Duruflé and Tippett. In October 1998 Russell sang solo alongside Joan Rodgers in a performance of the Fauré Requiem with the London Philharmonic Choir conducted by Neville Creed. In November 1998 Russell had a small solo role in a concert performance of Peer Gynt with the London Philharmonic Orchestra and Choir conducted by Kurt Masur.

Most recently, Ms. Scott performed for the Munster Veterans of Foreign Wars, as well as many other civic and cultural events throughout the United States. Ms. Scott has also sung with the Northwest Indiana Symphony Chorus.