It is this passion, coupled with a strong philosophy for the international language of music, that has seen John Hywel Williams drive the development of numerous choirs and choral initiatives and pioneer the export of Welsh choral singing around the world with countless national and international performances at world leading concert halls and a stream of radio and television broadcasts and recordings.

Graduating from the University of Wales with qualifications from the Royal Academy of Music, The London College of Music and the Trinity College London, John Hywel Williams led the field by taking the very first British choir behind the Iron Curtain of Eastern Europe in the early years of the Cold War and the first British choir to undertake a concert tour of Moscow – receiving national media attention on his choral adventures.

A regular columnist for Pianist magazine's online content, Frances also contributes guest posts to other classical music and music education websites around the world, including Clavier Companion and Making Music magazine.

Jacky's major achievements in competitions include Third Prize in the Pancho Vladigerov International Violin Competition held in Bulgaria in 2013, First Prize in the Youth Category of Hong Kong International Violin Competition in 2011. He has served as Concertmaster and Second Violins' Principal of the Asian Youth Orchestra, performing with renowned international artists including cellist Steven Isserlis, violinist Stefan Jackiw and conductors Richard Pontzious and James Judd. Jacky has also taken part in the co-principal Bursary Scheme of the Rehearsal Orchestra and the LSO String Academy. Jacky has performed in various concert venues in London and Hong Kong, most recently violin lunchtime recitals at St. Martin in the Fields church in Trafalgar Square and Southwark Cathedral, as part of the Royal Academy of Music series.

He made his debut at the age of twelve with the Dutch Radio Orchestra. He has since performed in numerous renowned venues in over 20 countries throughout Europe, Asia, Central and South America, including Tonhalle Zürich, KKL Lucerne, Concertgebouw Amsterdam, St. Martin in the Fields London, Salle Olivier Messiaen Paris, Bertramka Prague, Marble Hall Budapest, St. Petersburg Philharmonic Hall and many more. He also makes regular guest appearances at leading international music festivals. Among the highlights of his artistic career have been concerts with top-ranking conductors, including Pierre Boulez, Ralf Weikert and Howard Griffiths. His interest in contemporary music has led to collaborations with leading composers, such as Emmanuel Nunes, Marco Stroppa, James Dillon and Rudolf Kelterborn.

See Siang Wong's performances have been recorded by many radio and television stations. He has already made three exclusive solo albums for DECCA. His first CD featuring music from Chopin (“Waltzes and Nocturnes”) was released in 2005 and was honored with a “Classic Highlight” award in the Swiss Radio Magazine. His second CD with piano pieces from Claude Debussy, entitled “Early Piano Works”, was released in 2006 and also received high praise from the specialist press. In 2008 he recorded his latest album, dedicated to the Piano Sonatas of Mozart. Other recordings were issued by Deutsche Grammophon, Guild, Novalis, ZHDK Records, Liverpool Records and Rose.

I own and operate my own publishing company for the music for children that I write. The company is called Progressive Measures. I publicize my musicals throughout Canada, Great Britain and Australia. I have written 14 musicals and 2 song collections for children.

All of my original music is composed and recorded from computer. The product includes a CD which has every song recorded twice, once with vocals for rehearsal and once with no vocals for performance.

David later graduated with distinction from the Royal College of Music in 2003 where for two consecutive years he won the Richard the Third and Century Fund Prizes. In 2003 he also won first prize in the prestigious Broadwood Harpsichord Competition, an international event held at London’s Fenton House where he became artist in residence. As a soloist and accompanist David works regularly with some of the world’s leading ensembles and musicians. He has directed concerts from the harpsichord including the first modern performance of Thomas Arne’s ballad opera ‘The Blind Beggar of Bethnal Green’. David is engaged regularly amongst the artists at Dartington International Summer School and as repetitieur with the English Touring Opera and The English Bach Festival. David’s radio and television broadcasts include performances as a finalist in the York Early Music Competition and solos at the Handel House Museum London (both for BBC Radio3) and more recently a recital as part of the Belfast Music Festival, broadcast on BBC Northern Ireland. Just recently, David was assistant musical director to Jean-Claude Malgoire in a production of Rameau’s Platee at the Megaron in Athens with the English Bach Festival, with whom he will be performing Monteverdi’s l’Orfeo in the New Year.

Mr. Wright gained international attention when he won the 24th Frinna Awerbuch International Piano Competition in New York City, which led to his debut at Carnegie's Weill Recital Hall. His international reputation was further enhanced when he was eliminated from the finals of the 2000 Sydney International Piano Competition of Australia.

The decision of the jury precipitated mass protests from listeners who followed the competition via national radio broadcast and worldwide web cast. In response to this unprecedented outpouring of support, the ABC, the competition's principal sponsor, marketed a debut recording of Wright's performances at the competition. His recording of Between Five Bells from this CD earned composer Peter Sculthorpe the Australian Performing Rights Association's (APRA) Award for the Most Performed Contemporary Classical Composition of 2001. From Australia, he returned to North America where he was a finalist at the 3rd Esther Honens International Piano Competition in Canada and the Audience Favorite at the 2001 Van Cliburn International Piano Competition in Fort Worth. Most recently, he won the gold medal at the San Antonio International Piano Competition and the awards for Best Performance of the Commissioned Piece and Best Performance of a Romantic Work.

She has taught in regional schools and privately for over a decade since qualifying as a music teacher in 1994 at Trent Park, Middlesex. Jan graduated from Guildhall with honours and also completed the postgrad performance and communication skills course at the Guildhall.

Jan is currently teaching in the Peterborough and Cambridgeshire area for CIMA and has taken ip the Band Master's job at March Brass 2000 in the fens. Jan is also regularly asked to play by local orchestras and show/pitbands, jazz bands and is also regularly doing soul band gigs in Cambs and Northamptonshire.

He has recorded for the Newport Classics, Sony Classical, and Americus labels and broke new ground with the 1991 release of his recordings of the musical compositions of the controversial 19th century philosopher, Friedrich Nietzsche. Feature articles about Mr. Young and the Nietzsche Music Project have been published in Time Magazine, the New York Times, the Wall Street Journal, the San Francisco Chronicle, Lingua Franca, Chaspik,Pravda, Piano Quarterly, the Hamburger Abendblatt, Bunte, Le Monde de la Musique, Musica Rivista Italiana, the St. Petersburg Times, and the U.S. News and World Report.

Mr. Young’s master classes have taken him to leading institutions throughout Russia and the USA, including the St. Petersburg and Moscow Conservatories; the Moussorgsky, Rimsky-Korsakoff and the Glinka Choir Colleges of Music, and the Sochi College of Music. In America he has lectured and given master classes at the Juilliard School, the University of South Florida, the World Piano Pedagogy Conference, the Boston Conservatory of Music, and Brown University. He has also conducted master classes at the Beijing Conservatory.

His music for harp has been performed at the Curtis Institute of Music, and the 2004 National Conference of the American Harp Society. He has served on the faculties of Roosa School of Music, Brooklyn Conservatory of Music, Hebrew Arts School, and has coached harp students at the Curtis Institute in his music. He has performed music by composers John Cage, Robert Moran, Deniz Ulben and others. He was coached by John Cage.

He studied harp with the great Lucile Lawrence and with Alice Chalifoux, at Tanglewood, Manhattan School of Music, and at the Salzedo School of Camden, Maine. He has performed in master classes with Lucile Lawrence and Heidi Lehwalder.

I have studied oboe with Nancy Ambrose King, Martin Schuring, Erik Larson, Earle Dumler, and currently with Marion Arthur Kuszyk.