Our services include typeset music of all styles and instrumentations - from solo instrumental music to large symphonic works, from vocal songs to complete opera materials as well as performance parts, orchestra and choral parts, piano reductions.

Wayne Davies provides a music typesetting service for composers. Using 'top of the range' computer music notation software, he will produce professional-looking scores from handwritten manuscripts. Please e-mail Wayne Davies with your requirements.

Nicola provides a music typesetting service for composers. Using computer technology she will efficiently turn your handwritten manuscripts into a professional-looking score! E-mail Nicola with your requirements.

After Oxford, Anna was awarded a De Lancey Scholarship by Trinity College, Cambridge, for postgraduate research in English and Continental music and theatre of the 17th century. Her research extended to Jesuit college music-theatre; Roman Catholic poetry of apotheosis; obscure and forgotten music-dramas of the London stage; and musical 'dialogues' of the seventeenth century, amongst other literary, philosophical, visual and musical phenomena

While at Oxford University, Anna acted for OUDS (the Oxford University Dramatic Society), and directed Christopher Marlowe's Dido, Queen of Carthage, at the Oxford Union. She sang in Lincoln College Chapel Choir; and took part in chamber music sessions as a pianist, as well as giving a solo piano recital. At Cambridge University, Anna choreographed Purcell's Dido and Aeneas at Peterhouse Theatre, Handel's Acis and Galatea- at the ADC Theatre, and Gluck's Orfeo - at the Arts Theatre. She directed Holst's Savitri -and performed in The Soldier's Tale (dancing The Princess) for Cambridge University Opera Society (CUOS).- Other performances include Gilbert and Sullivan's Trial By Jury for St. Catharine's College, and a solo vocal recital. Anna was a member of St. Catharine's College Chapel Choir and toured with them to the Cathedrals of France, and to Switzerland, Italy and Holland. After leaving Cambridge, she sang The Sorceress in, and directed Dido and Aeneas for the National Art Collections Fund, at Longstowe Hall, Cambridgeshire; and then went on to sing and act with national companies such as Opera 80, Théâtre de Complicité and the Trestle Theatre Company, with whom she toured extensively in Britain, and performed in Sicily and Australia.